....WITH -PREFACE' - CJLO5SAKY - ETC ' ' BY-lSRAEJL-GOLUANCz rvx U '-MDCCCXCVI: PUBLl^HCD - BY O; ALDUiE" No man was ever yet a great poet, without being at...on in one current and with one voice." COLERIDGE. * 1 >3 Preface. Early Editions. " fauu and Admis " was first printed in '' Quarto, in 1593, with the...

...threaten the extinction of the other. At length, in the DRAMA they were reconciled, and fought each with its shield before the breast of the other. Or...dilate, and flow on in one current and with one voice. The Venus and Adonis did not perhaps allow the display of the deeper passions. But the story of Lucretia...

...writer, ' wrestle as in a war-embrace. At length in his drama they were reconciled, and fought, each with its shield before the breast of the other. Or...dilate, and flow on in one current and with one voice.' In the more matured works of individual genius, strength is frequently substituted for sweetness —...

...as in a war-embrace. At length in his drama they were reconciled, and fought, each with its sliield before the breast of the other. Or like two rapid...channel and more yielding shores, blend, and dilate, and How on in one current and with one voice.' In the more matured works of individual genius, strength...

...on what he terms " the creative power" and " intellectual energy" of Shakespeare) and " each fights with its shield before the breast of the other ; or...first meeting within narrow and rocky banks, mutually strain to repel each other and intermingle reluctantly and in tumult; but on finding a wider channel...

...threaten the extinction of the other. At length, in the DRAMA they were reconciled, and fought each with its shield before the breast of the other. Or,...dilate, and flow on in one current and with one voice. The Venus and Adonis did not, perhaps, allow the display of the deeper passions. But the story of Lucretia...

...threaten the extinction of the other. At length, in the drama, they were reconciled, and fought each with its shield before the breast of the other. Or...and intermix reluctantly, and in tumult ; but soon fmding a wider channel and more yielding shores, blend, and dilate, and flow on in one current, and...

...threaten the extinction of the other. At length, in the drama, they were reconciled, and fought each with its shield before the breast of the other. Or...and intermix reluctantly, and in tumult ; but soon nnding a wider channel and more yielding shores, blend, and dilate, and flow on in one current, and...

...might easily be done. His comparison of Shakspeare wjth his contemporary dramatists is obtuse indeed, f banks, mutually strive to repel each other, and intermix...dilate, and flow on in one current, and with one voice." — Siog. Lit., vol. ii. p. 21. * Mr. Coleridge, of course, alluded to Biron and Rosaline ; and there...

...threaten the extinction of the other. At length, in the drama, they were reconciled, and fought each with its shield before the breast of the other. Or...that, at their first meeting within narrow and rocky Shakspeare soon found out, could the sublime poet . nd profound philosopher find the conditions of...