What is Dance?: Readings in Theory and CriticismRoger Copeland, Marshall Cohen Oxford University Press, 1983 - 582 páginas A wide variety of writing is included in this anthology, from the practical criticism of Arlene Croce and Edwin Denby to the more scholarly work of Rudoloph Arnheim, Suzanne Langer, and Havelock Ellis. The collection is divided into seven sections: What is Dance?; the Dance Medium; Dance and the Other Arts; Genre and Style; Language, Notation, and Identity; Dance Criticism; and Dance and Society. |
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... E. M. W. TILLYARD 478 From The Elizabethan World Picture The Cosmic Dance 497 JANE HARRISON From Ancient Art and Ritual From Ritual to Art 502 454 473 410 ROSS WETZSTEON The Whirling Dervishes : An Emptiness Filled with CONTENTS XV.
... E. M. W. TILLYARD 478 From The Elizabethan World Picture The Cosmic Dance 497 JANE HARRISON From Ancient Art and Ritual From Ritual to Art 502 454 473 410 ROSS WETZSTEON The Whirling Dervishes : An Emptiness Filled with CONTENTS XV.
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Contenido
WHAT IS DANCE? | 1 |
JEANGEORGES NOVERRE | 10 |
JOHN MARTIN | 22 |
SUSANNE K LANGER | 28 |
DAVID MICHAEL LEVIN | 85 |
THE DANCE MEDIUM | 103 |
STÉPHANE MALLARMÉ | 111 |
FRANK KERMODE | 145 |
R P BLACKMUR | 354 |
ANNA KISSELGOFF | 361 |
LANGUAGE NOTATION | 367 |
Dance Notation and Choreology | 390 |
JACK ANDERSON | 410 |
DANCE CRITICISM | 421 |
THEOPHILE GAUTIER | 431 |
The Art and Meaning of Isadora Duncan | 438 |
DANCE AND THE OTHER ARTS | 185 |
Martha Grahams Journey | 197 |
Music and Action | 203 |
BERNARD SHAW | 215 |
GENRE AND STYLE | 225 |
ADRIAN STOKES | 244 |
A K VOLINSKY | 255 |
Modern Dance | 262 |
KATHARINE EVERETT GILBERT | 289 |
MARY WIGMAN | 296 |
PostModern Dance | 325 |
Notes on Music and Dance | 336 |
CARL VAN VECHTEN | 445 |
Monumental Martha | 456 |
DANCE AND SOCIETY | 473 |
JANE HARRISON | 502 |
An Emptiness Filled with Everything | 507 |
ROGER COPELAND | 515 |
RUTH KATZ | 521 |
JOANN KEALIINOHOMOKU | 533 |
ELIZABETH KENDALL | 550 |
Bibliography | 561 |
573 | |
Términos y frases comunes
abstract action aesthetic American ancient André Levinson Arlene Croce art of dance artistic attitude audience Balanchine Balanchine's ballerina beauty called century choreographer classical ballet costume created cultural Cunningham dance criticism dancers Degas Diaghilev drama emotion example experience expression fact Fanny Elssler feeling Fokine formal gesture girls grace Graham Greek human body idea ideal illusion imitation Isadora Duncan kind Kirstein La Sylphide Laban Langer language legs Lincoln Kirstein look Mallarmé Martha Graham Mary Wigman means medium ment Merce Cunningham Michel Fokine mime modern dance modernist move movement nature notation Noverre object original painting pantomime performance philosophers physical poetry primitive properties pure representation Reprinted by permission rhythm rhythmic ritual romantic sculpture seems sense social sort soul space spectacle spirit stage striptease style Sylphide symbol technique theatre theatrical theory thing tion tradition Twyla Tharp waltz Wigman words York Yvonne Rainer
Referencias a este libro
First We Take Manhattan: Four American Women and the New York School of ... Diana Theodores Vista previa limitada - 1996 |
A Core Collection in Dance Association of College and Research Libraries. Dance Librarians Committee Sin vista previa disponible - 2002 |