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And the sweet, tranquil Thames,
And moonshine, and the dew,

To thy rack'd heart and brain
Afford no balm?

Dost thou to-night behold,

Here, through the moonlight on this English grass,
The unfriendly palace in the Thracian wild?1
Dost thou again peruse

With hot cheeks and sear'd eyes

The too clear web, and thy dumb sister's shame?

Dost thou once more assay

Thy flight, and feel come over thee,

Poor fugitive, the feathery change

Once more, and once more seem to make resound

With love and hate, triumph and agony,

Lone Daulis, and the high Cephissian vale?

Listen, Eugenia

How thick the bursts come crowding through the leaves!
Again-thou hearest?

Eternal passion!

Eternal pain!

TO THE CUCKOO.

William Wordsworth.

O BLITHE New-comer! I have heard,

I hear thee and rejoice.

O Cuckoo! shall I call thee Bird,

Or but a wandering Voice?

1 In the old story, the son of the king of the Thracians in Daulis ill-treated his wife Procne and her sister Philomela. They fled and begged the gods to change them to birds. Procne, accordingly, became a swallow, and Philomela a nightingale.

While I am lying on the grass

Thy twofold shout I hear,

From hill to hill it seems to pass,

At once far off, and near.

Though babbling only to the Vale,

Of sunshine and of flowers,

Thou bringest unto me a tale
Of visionary hours.

Thrice welcome, darling of the Spring!

Even yet thou art to me

No bird, but an invisible Thing,

A voice, a mystery;

The same whom in my school-boy days

I listened to; that Cry

Which made me look a thousand ways In bush, and tree, and sky.

To seek thee did I often rove

Through woods and on the green;
And thou wert still a hope, a love;

Still longed for, never seen.

And I can listen to thee yet;

Can lie upon the plain

And listen, till I do beget

That golden time again.

O blessed Bird! the earth we pace

Again appears to be

An unsubstantial, faery place;

That is fit home for Thee!

TO A SKYLARK.

Percy Bysshe Shelley.

HAIL to thee, blithe Spirit!
Bird thou never wert,

That from Heaven, or near it,
Pourest thy full heart

In profuse strains of unpremeditated art.

Higher still and higher

From the earth thou springest

Like a cloud of fire;

The blue deep thou wingest,

And singing still dost soar, and soaring ever singest.

In the golden lightning

Of the sunken sun,

O'er which clouds are brightening,

Thou dost float and run,

Like an unbodied joy whose race is just begun.

The pale purple even

Melts around thy flight;

Like a star of heaven

In the broad daylight

Thou art unseen, but yet I hear thy shrill delight,

Keen as are the arrows

Of that silver sphere,
Whose intense lamp narrows

In the white dawn clear,

Until we hardly see, we feel that it is there.

All the earth and air
With thy voice is loud,

As, when night is bare,

From one lonely cloud

The moon rains out her beams, and heaven is overflowed.

What thou art we know not;

What is most like thee?

From rainbow-clouds there flow not

Drops so bright to see,

As from thy presence showers a rain of melody.

Like a poet hidden

In the light of thought,
Singing hymns unbidden,

Till the world is wrought

To sympathy with hopes and fears it heeded not;

Like a high-born maiden,

In a palace tower,
Soothing her love-laden

Soul in secret hour

With music sweet as love, which overflows her bower;

Like a glowworm golden,

In a dell of dew,
Scattering unbeholden

Its aërial hue

Among the flowers and grass which screen it from the view;

Like a rose embowered

In its own green leaves,

By warm winds deflowered,

Till the scent it gives

Makes faint with too much sweet those heavy-winged thieves.

Sound of vernal showers

On the twinkling grass,
Rain-awakened flowers,

All that ever was

Joyous, and clear, and fresh, thy music doth surpass.

Teach us, sprite or bird,

What sweet thoughts are thine:

I have never heard

Praise of love or wine

That panted forth a flood of rapture so divine.

Chorus hymeneal,

Or triumphal chant,

Matched with thine would be all

But an empty vaunt

A thing wherein we feel there is some hidden want.

What objects are the fountains

Of thy happy strain?

What fields, or waves, or mountains?

What shapes of sky or plain?

What love of thine own kind? what ignorance of pain?

With thy clear, keen joyance

Languor cannot be;

Shadow of annoyance

Never came near thee;

Thou lovest, but ne'er knew love's sad satiety.

Waking or asleep,

Thou of death must deem

Things more true and deep

Than we mortals dream;

Or how could thy notes flow in such a crystal stream?

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