Famous Introductions to Shakespeare's Plays by the Notable Editors of the Eighteenth CenturyBeverley Ellison Warner Dodd, Mead, 1906 - 268 páginas |
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Página 94
... allowed him to print what I gave him for his own advantage , and he allowed himself in the liberty of taking one part for his own , and sequestering another for the benefit , as I supposed , of some future edition . But , as to the ...
... allowed him to print what I gave him for his own advantage , and he allowed himself in the liberty of taking one part for his own , and sequestering another for the benefit , as I supposed , of some future edition . But , as to the ...
Página 119
... allowed ; but there is always an appeal open from criticism to nature . The end of writing is to instruct ; the end of poetry is to instruct by pleasing . That the mingled drama may convey all the instruction of tragedy or comedy cannot ...
... allowed ; but there is always an appeal open from criticism to nature . The end of writing is to instruct ; the end of poetry is to instruct by pleasing . That the mingled drama may convey all the instruction of tragedy or comedy cannot ...
Página 152
... allowed to extend a little further the licence , which had already been carried so far without reprehension ; and of his corrections in general , it must be confessed , that they are often just , and made commonly with the least ...
... allowed to extend a little further the licence , which had already been carried so far without reprehension ; and of his corrections in general , it must be confessed , that they are often just , and made commonly with the least ...
Otras ediciones - Ver todas
Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Ellison Warner Vista de fragmentos - 1968 |
Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Ellison Warner Vista de fragmentos - 1968 |
Términos y frases comunes
acquaintance admirers ancient appear beauties Ben Jonson Cæsar censure century character collation comedy common Condell conjecture correct corrupt criticism death drama dramatick edition editor EDMUND MALONE emendations endeavoured English errors excellence fable faults favour genius George Steevens hath Heminge HENRIE CONDELL honour ignorance imitation JOHN HEMINGE Jonson judgment Julius Cæsar King Henry knowledge labour language learning Lewis Theobald LIBRARY Love's Labour's Lost manner meaning modern nature never NICHOLAS ROWE notes obscure observed old copies opinion original passages passion perhaps pieces players plays pleasure poet poet's poetry Pope Pope's praise preface printed publick published quarto reader reason restore Romeo and Juliet Rowe scenes seems Shakespeare stage Steevens Stratford supposed taste Theobald thing thought tion Titus Andronicus tragedy Troilus and Cressida true truth UNIVERS UNIVERSITY OF CALIFORNIA volumes Warburton words writer written