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Página 43
... (which seems to have belonged to the play-house, by having the parts divided
with lines, and the actors' names in the margin) where several of those very
passages were added in a written hand, which are since to be found in the Folio.
... (which seems to have belonged to the play-house, by having the parts divided
with lines, and the actors' names in the margin) where several of those very
passages were added in a written hand, which are since to be found in the Folio.
Página 75
Some are added to show where there is a suspicion of our author having
borrowed from the ancients: others, to show where he is rallying his
contemporaries; or where he himself is rallied by them. And some are necessarily
thrown in, ...
Some are added to show where there is a suspicion of our author having
borrowed from the ancients: others, to show where he is rallying his
contemporaries; or where he himself is rallied by them. And some are necessarily
thrown in, ...
Página 175
For whatever had been added since those quartos, by the actors, or had stolen
from their mouths into the written parts, were from thence conveyed into the
printed text, and all stand charged upon the author. He himself complained of this
...
For whatever had been added since those quartos, by the actors, or had stolen
from their mouths into the written parts, were from thence conveyed into the
printed text, and all stand charged upon the author. He himself complained of this
...
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Contenido
John HEMINGE AND HENRIE ConDELL 1 a 3 | 1 |
4 | 4 |
W Alexander Pope 17 s | 29 |
Otras 7 secciones no mostradas
Otras ediciones - Ver todas
Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Ellison Warner Vista de fragmentos - 1968 |
Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Warner Vista de fragmentos - 1968 |
Términos y frases comunes
acquaintance action added admire allowed ancient appear beauties better called century certainly character collection comedy common conjecture consider copies correct corrupted criticism death drama edition editor English equal errors excellence expression faults folio force frequently genius give given greater hand hath Henry honour ignorance John Jonson judgment kind King knowledge known labour language latter learning least less lived manner meaning mind nature never notes obscure observed opinion original particular passages performance perhaps persons pieces Plautus players plays poet poet’s Pope preface present printed proper publick published quarto reader reason received remarks scenes seems sense Shakespeare sometimes stage supposed taken thing thought tion tragedy true truth volumes whole writer written