 | 1921 - 1326 páginas
...what has been Point to one end, which is always present. Footfalls echo in the memory Down the pansage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. It is not possible for one and all, who know the English language,... | |
 | Thomas Stearns Eliot - 1971 - 408 páginas
...world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which...Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves... | |
 | Mary Ann Gillies - 1996 - 232 páginas
...in "Burnt Norton": What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which...Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. (Poems, 171) It is this failure to enter the rose-garden that provides... | |
 | Robert Andrews - 1997 - 666 páginas
...Francesca da Rimini. This thought appears in Boethius's Consolation of Philosophy, bk. 2 (6th century). 3 Footfalls echo in the memory Down the passage which...Towards the door we never opened Into the rose-garden. TS (THOMAS STEARNS) ELIOT, (1888-1965) Anglo-American poet, critic. "Burnt Norton," pt. 1 (1936). Four... | |
 | Stephen Briggs - 1997 - 308 páginas
...many stimuli that he will never encounter' (Bower 1989a, p.36). Rather like Eliot's (1944, p. 13): Footfalls echo in the memory Down the passage which...Towards the door we never opened Into the rose-garden this is a vision of unfulfilled potential. On the other hand, some stimuli, via imitation (Meltzoff... | |
 | Ronald Carter, John McRae - 1997 - 613 páginas
...world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which...Towards the door we never opened Into the rose-garden. This idea had featured strongly in the plays of JB Priestley just before the war, but now took on a... | |
 | Thomas Stearns Eliot - 1996 - 476 páginas
...1953) the influence of Alice- Alice seeking to follow the White Rabbit - upon Burnt Norton I I2.-I4. Down the passage which we did not take Towards the door we never opened Into the rose-garden. There is more than a touch of Alice in a reminiscence by TSE of his childhood: There was at the front... | |
 | James Martin Harding - 1997 - 216 páginas
...flight into the unrealized realms of "What might have been," which is signalled by a call to follow "the passage which we did not take / Towards the door we never opened / Into the rose-garden," includes the poems' first direct reference to music (BN 1214). In that "Burnt Norton" associates "the... | |
 | Connie Robertson - 1998 - 686 páginas
...With smell of steaks in passageways. Six o'clock. The but m our ends of smoky days. 3249 four Quartets ... 3250 Four Quartets 'East Coker' In my beginning is my end. 3251 four Quartets 'Little Gidding'... | |
 | Leonid Reznik, Vladimir Dimitrov, Janusz Kacprzyk - 1998 - 360 páginas
...world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Toward the door we never opened Into the rose garden. REFERENCES Capra, F (1992), Belonging to the... | |
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Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. 
