Philaster: Or, Love Lies A-bleeding |
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Página xxvii
One piece of internal evidence , however , suggests it was written precisely in the middle between the agreed limits . The reference to ' the new platform ' ( v . iii . 3 ) is difficult to make sense of if it does not mean the ' great ...
One piece of internal evidence , however , suggests it was written precisely in the middle between the agreed limits . The reference to ' the new platform ' ( v . iii . 3 ) is difficult to make sense of if it does not mean the ' great ...
Página xxix
Apart from the evidence for dating Philaster in 1609 , which leaves little time for the composition of the other major plays before then , there is only the internal evidence of the development from specific political concerns in ...
Apart from the evidence for dating Philaster in 1609 , which leaves little time for the composition of the other major plays before then , there is only the internal evidence of the development from specific political concerns in ...
Página xliv
There is in fact no evidence for the success on the Blackfriars stage of any romances before the King's adults came to act in them . The only known success of the kind was Pericles , which was performed at the Globe before the ...
There is in fact no evidence for the success on the Blackfriars stage of any romances before the King's adults came to act in them . The only known success of the kind was Pericles , which was performed at the Globe before the ...
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Contenido
INTRODUCTION | xix |
PHILASTER I | 29 |
APPENDICES | 123 |
Derechos de autor | |
Otras 1 secciones no mostradas
Otras ediciones - Ver todas
Philaster: Or, Love Lies A-Bleeding by Beaumont and Fletcher Francis Beaumont,John Fletcher Vista previa limitada - 2003 |
Términos y frases comunes
appear Arethusa bear Beaumont and Fletcher Bellario Blackfriars blood characters collaboration common copy Court daughter dear death Dion drama Dyce edition Enter evidence Exeunt Exit eyes fair Faithful fall fear follow friends gentlemen give Globe gods hand hear heart hold honour hope I'll keep kind King King's kingdom Lady leave lines live London look Lord Madam married means Megra never noble performed Pharamond Philaster Philaster's play Prince Princess probably prose reading reference Revenge royal scene sense Shakespeare situation speak speeches stage stand story success suggests taken talk tell term theatre thee Theobald things thou thoughts Tragedy true turn Turner verse virtue woman wounds written wrong