The shepherd him pursues, and to his dog doth hollo: When, with tempestuous speed, the hounds and huntsman follow ; Polyolbion, Thirteenth Song Queen Mab's Chariot. Her chariot ready straight is made, For nought must be her letting! Fly Cranion, her charioteer, Upon the coach-box getting. I trow, 'twas simple trimming. The wheels compos'd of crickets' bones, For fear of rattling on the stones, With thistle-down they shod it: For all her maidens much did fear, If Oberon had chanc'd to hear, That Mab his queen should have been there Out of eighty-eight stanzas. Nymphidia: The 69. Sir John Davies, 1570-1626. (Handbook, pars. 103, 136.) An Irish judge. His poem on the Immortality of the Soul was written in 1599. False and True Knowledge. Why did my parents send me to the schools That I with knowledge might enrich my mind, Since the desire to know first made men fools, And did corrupt the root of all mankind? All things without, which round about we see, Is it because the mind is like the eye .. Through which it gathers knowledge by degrees, No doubtless; for the mind can backward cast, But she is so corrupt and so defaced That her own image doth herself affright. . . . Yet if Affliction once her wars begin, And threat the feeble sense with sword and fire. As spiders touch'd seek their web's inmost part; As blood in danger gathers to the heart; As men seek towns, when foes the country burn. If aught can teach us aught, Affliction's looks, This mistress lately pluck'd me by the ear, And many a golden lesson hath me taught; Neither Minerva, nor the learned Muse, Nor rules of art, nor precepts of the wise, I know my body's of so frail a kind, As force without, fevers within, can kill; I know my soul hath power to know all things, I know my sense is mock'd with everything; From The Introduction. 70. William Shakespeare, 1564-1616. (Handbook, pars. 93, 144, 255-262.) Instead of giving lengthened extracts from Shakespeare or Milton, it is deemed more convenient to quote a few lines of passages best known, and refer the reader to the place where he may find the rest. The extracts from Shakespeare are arranged according to the three periods to which his dramas belong. First Period. They brought one Pinch, a hungry lean-fac'd villain, A mere anatomy. Comedy of Errors, act v. sc. I I never spent an hour's talk withal. Love's Labour's Lost, act ii. sc. I. As sweet, and musical, As bright Apollo's lute. Ib., act iv. sc. 3. They have been at a great feast of Languages, and have stolen the scraps. And thereby hangs a tale. Ib., act v. sc. 1. Taming of the Shrew, act iv. sc. I. Othello, act iii. sc. I, etc. She's beautiful; and therefore to be woo'd: She is a woman; therefore to be won. Henry VI., part i. act v. sc. 3. What stronger breastplate than a heart untainted! Thou hast most traitorously corrupted the youth of the realm in erecting a grammar-school; and whereas, before, our forefathers had no other books but the score and the tally, thou hast caused printing to be used; and, contrary to the king, his crown and dignity, thou hast built a paper-mill. Ib., act iv. sc. 7. Suspicion always haunts the guilty mind; Ib., part iii. act v. sc. 6. Second Period. Richard II., act i. sc. 3. Ib., act ii. sc. I. Oh, who can hold a fire in his hand, ... Of comfort no man speak; Some haunted by the ghosts they have depos'd: Now is the winter of our discontent To leave this keen encounter of our wits. Richard II., act iii. sc. 2. Richard III., act i. sc. I Ib., act i. sc. I. Ib., act i. sc. 2. Ib., act i. sc. 4. Ib., act iv. sc. 4. Ib., act v. sc. 2. King John, act iii. sc. I. An honest tale speeds best, being plainly told. Ib., act iii. sc. 4. Ib., act iii. sc. 4. Over whose acres walked those blessed feet, Which, fourteen hundred years ago, were nailed And as the soldiers bore dead bodies by, Henry IV., part i. act i. sc. 1. He called them untaught knaves, unmannerly, Ib., act i. sc. 3. |