1 And me they left with thofe of Epidamnum: Duke. Antipholis, thou cam'ft from Corinth first. E. Dro. And I with him. E. Ant. Brought to this town by that moft famous warrior Duke Menaphon, your most renowned uncle. Adr. Which of you two did dine with me to-day? Adr. And are you not my husband? E. Ant. No, I fay, nay to that. S. Ant. And fo do I, yet fhe did call me fo; Ang. That is the chain, fir, which you had of me. E. Ant. And you, fir, for this chain arrested me. S. Ant. This purse of ducats I receiv'd from you, E. Ant. Thefe ducats pawn I for my father here. R. 3 Abb Abb. Renowned duke, vouchsafe to take the pains To go with us into the abbey here, And hear at large difcourfed all our fortunes :- have I but gone in travel Of you, my fons; and, till this present hour, My heavy burden not delivered : The duke, my husband, and my children both, Go to a goffip's feaft, and? go • Twenty-five years with me; •] In former editions: After 'Tis impoffible the poet could be fo forgetful, as to defign this number here: and therefore I have ventured to alter it to twentyfive, upon a proof, that, I think, amounts to demonstration. The number, I prefume, was at firft wrote in figures, and, perhaps, blindly; and thence the mistake might arife. Egeon, in the first scene of the first act, is precise as to the time his fon left him, in queft of his brother:" My youngest boy, and yet my eldeft care, At eighteen years became inquifitive After his brother, &c. And how long it was from the fon's thus parting from his father, to their meeting again at Ephefus, where Egeon, mistakenly, recognizes the twin-brother, for him, we as precisely learn from another paffage in the fifth act: A Ege. But feven years fince, in Syracufa-bay, fo that these two numbers, put together, fettle the date of their birth beyond difpute. THEOBALD. 7 -and go with me;] We should read; and GAUDE with me; i. e. rejoice, from the French, gaudir. WARBURTON. The fenfe is clear enough without the alteration. The Revifal offers to read, more plaufibly, I think: joy with me. Dr. Warburton's conjecture may, however, be countenanced by the following paffage in Acolaflus a comedy, 1529:-" I have good caufe to fet the cocke on the hope, and make gaudye chere." After fo long grief fuch nativity! Duke. With all my heart, I'll goffip at this feast. [Exeunt. Manent the two Antipholis's, and two Dromio's. S. Dro. Mafter, fhall I fetch your stuff from ship board? E. Ant. Dromio, what ftuff of mine haft thou im bark'd? S. Dro. Your goods, that lay at hoft, fir, in the S. Ant. He speaks to me; I am your master, Come, go with us; we'll look to that anon: [Exeunt Antipholis S. and E. E. Dro. Methinks, you are my glass, and not my I fee by you, I am a fweet-fac'd youth, How shall we try it? S. Dro. We will draw Cuts for the fenior: till then lead thou first. Again, in Antony and Cleopatra, act III: "Let's have one other gaudy night." In the novel of M. Alberto of Bologna, the author adviseth gentlewomen" to beware how they contrive their holyday talke, by wafte wordes iffuing forth their delicate mouths in carping, gauding, and jefting at young gentlemen, and speciallye olde men, &c." Palace of Pleasure, 1582. T. 1, fol. 60. STEEVENS. After fo long grief, fuch nativity!] We fhould furely read: After fo long grief, fuch feftivity, 8 Nativity lying fo near, and the termination being the fame of both words, the mistake was eafy. JOHNSON. The old reading may be right. She has just said, that to her, her fons were not born till now. STEEVENS. R 4 E. Dro. E. Dro. Nay, then thus ; We came into the world, like brother and brother; And now let's go hand in hand, not one before an other 9. [Exeunt. In this comedy we find more intricacy of plot than distinction of character; and our attention is lefs forcibly engaged, because we can guess in great measure how the denouement will be brought about. Yet the poet feems unwilling to part with his fubject, even in this laft and unneceffary scene, where the same mistakes are continued, till their power of affording entertaiment is entirely loft. STEEVENS. MUCH |