The Works of Samuel Johnson, LL. D.G. Walker, 1820 |
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Página 3
... poetical compositions , " the tragical history of Pyramus and Thisbe , " written when he was ten ; : rs old ; and " Constantia and Philetus , " written two years after . While he was yet at school he produced a comedy called " Love's ...
... poetical compositions , " the tragical history of Pyramus and Thisbe , " written when he was ten ; : rs old ; and " Constantia and Philetus , " written two years after . While he was yet at school he produced a comedy called " Love's ...
Página 4
... poetical dedi- cation to Sir Kenelm Digby ; of whose acquaintance all his contemporaries seem to have been ambitious ; and " Naufragium Joculare , " a comedy written in Latin , but without due attention to the ancient models ; for it is ...
... poetical dedi- cation to Sir Kenelm Digby ; of whose acquaintance all his contemporaries seem to have been ambitious ; and " Naufragium Joculare , " a comedy written in Latin , but without due attention to the ancient models ; for it is ...
Página 25
... poetical account , but Donne has extended them into worlds . If the lines are not easily understood , they may be read again : On a round ball A workman , that hath copies by , can lay An Europe , Afric , and an Asia , And quickly make ...
... poetical account , but Donne has extended them into worlds . If the lines are not easily understood , they may be read again : On a round ball A workman , that hath copies by , can lay An Europe , Afric , and an Asia , And quickly make ...
Página 27
... poetical effect of a lover's name upon glass : My name engrav'd herein Doth contribute my firmness to this glass ; Which , ever since that charm , hath been As hard as that which grav'd it was . DONNE . Their conceits were sentiments ...
... poetical effect of a lover's name upon glass : My name engrav'd herein Doth contribute my firmness to this glass ; Which , ever since that charm , hath been As hard as that which grav'd it was . DONNE . Their conceits were sentiments ...
Página 30
... poetical propagation of light : The prince's favour is diffus'd o'er all , From which all fortunes , names , and natures fall : COWLEY . COWLEY . Then from those wombs of stars , the bride's bright eyes , At every glance a constellation ...
... poetical propagation of light : The prince's favour is diffus'd o'er all , From which all fortunes , names , and natures fall : COWLEY . COWLEY . Then from those wombs of stars , the bride's bright eyes , At every glance a constellation ...
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Términos y frases comunes
Absalom and Achitophel admired Æneid afterwards ancients appears beauties better blank verse called censure character Charles Charles Dryden composition considered Cowley criticism death defend delight diction dramatic Dryden duke earl elegance English English poetry Euripides excellence fancy faults favour friends genius Georgics heaven heroic honour hope Hudibras images imagination imitation Jacob Tonson John Dryden Juvenal kind king known labour lady language Latin learning lines Lord Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Paradise Regained parliament passions perhaps perusal Philips Pindar play pleasing pleasure poem poet poetical poetry pounds praise preface produced published racters reader reason relates remarks reputation rhyme satire says seems sent sentiments shew sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth verses versification Virgil virtue Waller words write written wrote
Pasajes populares
Página 74 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
Página 73 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer; Willing to wound and yet afraid to strike, Just hint a fault and hesitate dislike; Alike...
Página 375 - DRYDEN may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition. Of our former poets, the greatest dramatist wrote without rules, conducted through life and nature by a genius that rarely misled, and rarely deserted him. Of the rest, those who knew the laws of propriety had neglected to teach them.
Página 35 - To move, but doth if th' other do. And though it in the center sit, Yet when the .other far doth roam, It leans and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must, Like th' other foot, obliquely run: Thy firmness makes my circle just, And makes me end where I begun.
Página 206 - At the moment in which he expired, he uttered, with an energy of voice, that expressed the most fervent devotion, two lines of his own version of Dies Ira; : My God, my father, and my friend, Do not forsake me in my end.
Página 144 - It is not to be considered as the effusion of real passion ; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls upon Arethuse and Mincius, nor tells of rough satyrs and fauns with cloven heel.
Página 404 - Blest above; So when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, the living die, And Music shall untune the sky!
Página 130 - Fancy can hardly forbear to conjecture with what temper Milton surveyed the silent progress of his work, and marked his reputation stealing its way in a kind of subterraneous current, through fear and silence. I cannot but conceive him calm and confident, little disappointed, not at all dejected, relying on his own merit with steady consciousness, and waiting without impatience, the vicissitudes of opinion, and the impartiality of a future generation.
Página 394 - To see this fleet upon the ocean move, Angels drew wide the curtains of the skies; And Heaven, as if there wanted lights above, For tapers made two glaring comets rise.
Página 19 - Their attempts were always analytic ; they broke every image into fragments: and could no more represent, by their slender conceits 'and laboured particularities, the prospects of nature or the scenes of life, than he who dissects a sunbeam with a prism can exhibit the wide effulgence of a summer noon.