The Works of Samuel Johnson, LL. D.G. Walker ... [and 9 others], 1820 |
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Página 16
... discovered whence our words are derived , we are to examine by what rules they are governed , and how they are inflected through their various termina- tions . The terminations of the English are few , but those few have hitherto ...
... discovered whence our words are derived , we are to examine by what rules they are governed , and how they are inflected through their various termina- tions . The terminations of the English are few , but those few have hitherto ...
Página 43
... they are , might be multiplied , but that use and curiosity are here satis- fied , and the frame of our language and modes of our combination amply discovered . Of some forms of composition , such as that by 1 ENGLISH DICTIONARY . 43.
... they are , might be multiplied , but that use and curiosity are here satis- fied , and the frame of our language and modes of our combination amply discovered . Of some forms of composition , such as that by 1 ENGLISH DICTIONARY . 43.
Página 51
... discovered that the bulk of my volumes would fright away the student , and was forced to depart from my scheme of including all that was pleasing or useful in English literature , and reduce my transcripts very often to clusters of ...
... discovered that the bulk of my volumes would fright away the student , and was forced to depart from my scheme of including all that was pleasing or useful in English literature , and reduce my transcripts very often to clusters of ...
Página 78
... discovered in a long succession of endeavours . Of the first building that was raised , it might be with certainty determined that it was round or square ; but whether it was spacious or lofty must have been referred to time . The ...
... discovered in a long succession of endeavours . Of the first building that was raised , it might be with certainty determined that it was round or square ; but whether it was spacious or lofty must have been referred to time . The ...
Página 79
Samuel Johnson, Arthur Murphy. was at once discovered to be perfect ; but the poems of Homer we yet know not to transcend the common limits of human intelligence , but by remarking , that nation after nation , and century after century ...
Samuel Johnson, Arthur Murphy. was at once discovered to be perfect ; but the poems of Homer we yet know not to transcend the common limits of human intelligence , but by remarking , that nation after nation , and century after century ...
Términos y frases comunes
advantage ancient appear arch ascer beauty Bemoin censure cerning characters commerce common considered copies Coriolanus criticism curiosity diction dictionary diligence discovered Don Henry drama easily easy editor endeavoured English Epictetus EPITAPHS exhibit expected Falstaff favour Foundling Hospital France French genius give Habit happy Harleian library Henry Henry VI honour hope ignorance imagined inquire justly kind king king of Portugal knowledge known labour language learned less lexicographer likewise mankind means ment mind nation nature necessary neglected neral never obscure observed opinion orthography panegyric particular passages passions perhaps play pleasing pleasure poet Pope Portuguese praise preserved Prester John prince produced proper racter reader reason regard religion Roman scarcely scenes seems sense sentiments Shakespeare shew shewn sometimes Spain suffered sufficient suppose things thought tion trade truth virtue words writers
Pasajes populares
Página 80 - Shakespeare is, above all writers, at least above all modern writers, the poet of nature ; the poet that holds up to his readers a faithful mirror of manners and of life.
Página 91 - ... carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate ; for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
Página 85 - Shakespeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind; exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend...
Página 82 - But love is only one of many passions, and as it has no great influence upon the sum of life, it has little operation in the dramas of a poet who caught his ideas from the living world, and exhibited only what he saw before him. He knew that any other passion, as it was regular or exorbitant, was a cause of happiness or calamity. Characters thus ample and general were not easily discriminated and preserved, yet perhaps no poet ever kept his personages more distinct from each other.
Página 85 - Shakespeare has united the powers of exciting laughter and sorrow not only in one mind, but in one composition. Almost all his plays are divided between serious and ludicrous characters, and, in the successive evolutions of the design, sometimes produce seriousness and sorrow, and sometimes levity and laughter.
Página 86 - ... poetry. This reasoning is so specious that it is received as true even by those who in daily experience feel it to be false. The interchanges of mingled scenes seldom fail to produce the intended vicissitudes of passion. Fiction cannot move so much but that the attention may be easily transferred...
Página 82 - But the dialogue of this author is often so evidently determined by the incident which VOL. ii. a produces it, and is pursued with so much ease and simplicity, that it seems scarcely to claim the merit of fiction, but to have been gleaned by diligent selection out of common conversation, and common occurrences.
Página 31 - TT is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good ; to be exposed to censure, without hope of praise ; to be disgraced by miscarriage, or punished for neglect, where success would have been without applause, and diligence without reward.
Página 103 - Our author's plots are generally borrowed from novels ; and it is reasonable to suppose, that he chose the most popular, such as were read by many, and related by more ; for his audience could not have followed him through the intricacies of the drama, had they not held the thread of the story in their hands. The stories, which we now find only in remoter authors, were, in his time, accessible and familiar. The fable of As You Like It, which is supposed to be copied from Chaucer's Gamelyn, was a...
Página 78 - As among the works of nature, no man can properly call a river deep, or a mountain high, without the knowledge of many mountains and many rivers ; so in the productions of genius, nothing can be styled excellent till it has been compared with other works of the same kind.