Comedies: Two gentlemen of Verona. Comedy of errors. Taming of the shrew. Much ado about nothing. Love labour's lost. Merchant of Venice. Merry wives of Windsor. Twelfth night. As you like it. Midsummer night's dream. Measure for measure. The tempest. All's well that ends well. Winter's taleHarper & brothers, 1847 |
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Página 16
... SCENE IV . - Milan . A Room in the DUKE's Palace . Enter VALENTINE , SILVIA , THURIO , and SPEED . SCENE III . - The Same . A Street . Enter LAUNCE , leading a dog . Launce . Nay , ' twill be this hour ere I have done weeping : all the ...
... SCENE IV . - Milan . A Room in the DUKE's Palace . Enter VALENTINE , SILVIA , THURIO , and SPEED . SCENE III . - The Same . A Street . Enter LAUNCE , leading a dog . Launce . Nay , ' twill be this hour ere I have done weeping : all the ...
Página 24
William Shakespeare Gulian Crommelin Verplanck. SCENE 11. - The Same . An Apartment in the DUKE'S Palace . Enter DUKE and THURIO ; PROTEUS behind . DUKE . Sir Thurio , fear not but that she will love ... SCENE II . TWO GENTLEMEN OF VERONA .
William Shakespeare Gulian Crommelin Verplanck. SCENE 11. - The Same . An Apartment in the DUKE'S Palace . Enter DUKE and THURIO ; PROTEUS behind . DUKE . Sir Thurio , fear not but that she will love ... SCENE II . TWO GENTLEMEN OF VERONA .
Página 27
... SCENE III . - The Same . Enter EGLAMOUR . [ Exeunt . Egl . This is the hour that madam Silvia Entreated me to call ... SCENE IV . - The Same . Enter LAUNCE with ACT IV . SCENE III . TWO GENTLEMEN OF VERONA .
... SCENE III . - The Same . Enter EGLAMOUR . [ Exeunt . Egl . This is the hour that madam Silvia Entreated me to call ... SCENE IV . - The Same . Enter LAUNCE with ACT IV . SCENE III . TWO GENTLEMEN OF VERONA .
Página 36
... SCENE II . " Why then , we'll make exchange " -The Priest , in TWELFTH NIGHT , ( act v . scene i . , ) describes the cere- monial of betrothing , for which the Catholic church had a ritual : - A contract of eternal bond of love ...
... SCENE II . " Why then , we'll make exchange " -The Priest , in TWELFTH NIGHT , ( act v . scene i . , ) describes the cere- monial of betrothing , for which the Catholic church had a ritual : - A contract of eternal bond of love ...
Página 37
... scene should begin the third act ; but the change , as it will add no- thing to the probability of the action , is of no great im- portance . " - JOHNSON . SCENE VII . " Who art the table wherein all my thoughts Are visibly character'd ...
... scene should begin the third act ; but the change , as it will add no- thing to the probability of the action , is of no great im- portance . " - JOHNSON . SCENE VII . " Who art the table wherein all my thoughts Are visibly character'd ...
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Términos y frases comunes
Angelo Beat Benedick better Biron Boyet brother Caliban character Claud Claudio Collier comedy COMEDY OF ERRORS daughter dost doth Dromio Duke Enter Exeunt Exit eyes fair fairy father fear folio fool Ford gentle gentleman GENTLEMEN OF VERONA give grace hand hath hear heart heaven honour humour husband Isab Kate Kath King knave lady Launce Leon Leonato look lord LOVE'S LABOUR'S LOST Lucio madam maid Malvolio marry master master doctor means MEASURE FOR MEASURE MERCHANT OF VENICE merry mistress never night old copies Pedro play Poet Pompey pr'ythee pray Proteus quarto Rosalind SCENE sense Shakespeare Shylock signior speak swear sweet tell thee there's Theseus thine thing thou art thou hast thought Thurio tongue true TWELFTH NIGHT wife woman word