Romanticism, History, and the Possibilities of Genre: Re-forming Literature 1789-1837

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Tilottama Rajan, Julia M. Wright
Cambridge University Press, 1998 M02 13 - 291 páginas
Romanticism has often been associated with the mode of lyric, or otherwise confined within mainstream genres. As a result, we have neglected the sheer diversity and generic hybridity of a literature that ranged from the Gothic novel to the national tale, from monthly periodicals to fictionalized autobiography. In this volume leading scholars of the period explore the ways in which the Romantics developed genre from a taxonomical given into a cultural category, so as to make it the scene of an ongoing struggle between fixed norms and new initiatives. Focusing on non-canonical writers (such as Thelwall, Godwin and the novelists of the 1790s), or placing authors such as Wordsworth and Byron in a non-canonical context, these essays explore the psychic and social politics of genre from a variety of theoretical perspectives, while the introduction looks at how genre itself was rethought by Romantic criticism.
 

Contenido

Introduction
1
GENRE HISTORY AND THE PUBLIC SPHERE
8
on necessity
21
Radical print culture in periodical form
39
the national tale female writing
86
Lyrical Ballads 1798
109
John Thelwall and
122
from the ghost of
176
Autonarration and genotext in Mary Hays Memoirs
213
scenes of female enlightenment
240
The failures of romanticism
270
Index
288
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Julia M. Wright is Professor of English at Dalhousie University, Halifax, Nova Scotia, Canada.

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