All Sturm and No Drang: Beckett and Romanticism : Beckett at Reading 2006Dirk Van Hulle, Mark Nixon Rodopi, 2007 - 428 páginas This new issue of Samuel Beckett Today / Aujourd'hui contains three sections: Beckett and Romanticism, the conference proceedings of Beckett at Reading 2006, and finally a collection of miscellaneous essays. In the past few decades there have been scattered efforts to address the topic of Beckett and Romanticism, but it remains difficult to fathom his ambiguous and somewhat paradoxical attitude toward this period in literature, music and art history. Although far from being a comprehensive examination, the dossier on "Beckett and Romanticism" represents the first sustained attempt to give an impetus to the study of this complex theme. Presented here are contributions on Beckett's attitudes toward Romantic aesthetics in general, including notions such as the sublime, irony, failure, ruins, fragments, fancy, imagination, epitaphs, translation, unreachable horizons, the infinite, the infinitesimal and the unfinished, but also on Beckett's reading about the Romantic period, his affinity with specific Romantic artists and their influence on works such as Murphy, the trilogy, Krapp's Last Tape and All Strange Away. The second part of the current issue presents a selection of papers given at the Beckett at Reading 2006 conference in Reading, organised by the Beckett International Foundation to honour the writer's centenary. Reflecting the importance of the Beckett Foundation's Archive to scholars, many of these essays present new empirical research in the field of manuscript studies. Further areas of research are illuminated by other contributions which, together with the essays contained in the 'Free Space' section, show the importance and benefits of scholarly dialogue and cross-fertilization between different approaches in current Beckett Studies. |
Contenido
9 | |
10 | |
15 | |
20 | |
31 | |
47 | |
64 | |
77 | |
Sean Lawlor | 227 |
David A Hatch | 241 |
Paul Stewart | 257 |
Gregory Byala | 271 |
Knowing How To Go On Ending | 285 |
Karine Germoni | 297 |
Dirk Van Hulle Mark Nixon | 313 |
Jackie Blackman | 325 |
Franz Michael Maier | 91 |
John Bolin | 101 |
Andrew Eastham | 117 |
Michael Angelo Rodriguez | 131 |
Friedhelm Rathjen | 161 |
John Pilling | 173 |
Anthony Cordingley | 185 |
Marion FriesDieckmann | 201 |
Rónán McDonald | 213 |
Russell Smith | 341 |
Thomas J Cousineau | 355 |
Sjef Houppermans | 367 |
Carla Taban | 377 |
Guillaume Gesvret | 393 |
Anne Cousseau | 407 |
Notes on Contributors | 425 |
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All Sturm and No Drang: Beckett and Romanticism : Beckett at Reading 2006 Dirk Van Hulle,Mark Nixon Sin vista previa disponible - 2007 |
Términos y frases comunes
Ackerley aesthetic anthropomorphic Arland Ussher artist Beckett International Foundation Beckett Studies Belacqua Biographia c'est Calder Celia Charles Juliet Coleridge Coleridge's conception creative critical d'une death defecating desire dialogue discourse Don Quijote Dramatic Dream Notebook English epitaph essay expression Faber Fancy figure Fragment French German German Romanticism Godot Goethe Gontarski Grove hinny imagination Journal of Beckett Joyce Keats Knowlson Krapp's Krapp's Last Tape language les verts letter lexeme literary Lukács MacGreevy Malone Malone Dies manuscript means Middling Women mind Molloy Murphy Murphy's mûrs Nacht und Träume nature notes novel Paris passage philosophy phrase play poem poet prière Prometheus prose Proust reference relationship repetition Romantic irony Romanticism Ruby Cohn Samuel Beckett Schopenhauer Schubert sense sexual speaker Strange sublime suggests Thomas MacGreevy tradition trans translation Trilogy Trinity College Dublin Unnamable verts voice Waiting for Godot Watt Werther Windelband words Wordsworth writing York