Imágenes de páginas
PDF
EPUB

It happened once indeed, that Cato dropped into the Roman theatre, when the Floralia were to be represented; and as in that performance, which was a kind of religious ceremony, there were several indecent parts to be acted, the people refused to see them whilst Cato was present. Martial on this hint made the following epigram, which we must suppose was applied to some grave friend of his, that had been ac cidentally present at some such entertainment.

Nosses jocosa dulce cum sacrum Flora,
Festosque lusus, et licentiam vulgi,
Cur in theatrum Cato severe venisti?
An ideo tuntum veneras, ut exires?

Why dost thou come, great censor of thy age,
To see the loose diversions of the stage?
With awful countenance and brow severe,
What in the name of goodness dost thou here?
See the mix'd crowd, how giddy, lewd, and vain!
Didst thou come in but to go out again?

An accident of this nature might happen once in an age among the Greeks or Romans; but they were too wise and good to let the constant nightly entertainment be of such a nature, that people of the most sense and virtue could not be at it. Whatever vices are repre sented upon the stage, they ought to be so marked and branded by the poet, as not to appear either laudable or amiable in the person who is tainted with them. But if we look into the English comedies above-mentioned, we would think they were formed upon a quite contrary maxim, and that this rule, thongh it held good upon the heathen stage, was not to be regarded in Christian theatres. There is another rule likewise, which was observed by authors of antiquity, and which these modern geniuses have no regard to, and that was never to choose an improper subject for ridicule. Now a subject is improper for ridicule, if it

is apt to stir up horror and commiseratiou rather than laughter. For this reason, we do not find any comedy in so polite an author as Terence, raised upon the violations of the marriage-bed. The falsehood of the wife or husband has given occasion to noble tragedies, but a Scipio or a Lelius would have looked upon incest or murder to have been as proper subjects for comedy. On the contrary, cuckoldom is the basis of most of our modern plays. If an alderman appears upon the stage, you may be sure it is in order to be cuckolded. An husband that is a little grave or elderly, generally meets with the same fate. Knights and baronets, country squires, and justices of the quorum, come up to town for no other purpose. I have seen poor Dog. get cuckolded in all these capacities. In short, our English writers are as frequently severe upon this innocent unhappy creature, commonly known by the name of a cuckold, as the ancient comic writers were upon an eating parasite, or a vain-glorious soldier.

At the same time the poet so contrives matters, that two criminals are the favourites of the audience. We sit still, and wish well to them through the whole play, are pleased when they meet with proper opportunities, and out of humour when they are disappointed. The truth of it is, the accomplished gentleman upon the English stage, is the person that is familiar with other men's wives, and indifferent to his own; as the fine woman is generally a composition of sprightliness and falsehood. I do not know whether it proceeds from barrenness of invention, depravation of manners, or ignorance of mankind; but I have often wondered that our ordinary poets cannot frame to themselves the idea of a fine man who is not a whoremaster, or of a fine woman that is not a jilt.

I have sometimes thought of compiling a system of ethics out of the writings of these corrupt poets, under the title of Stage Morality. But I have been diverted from this thought, by a project which has been executed by an ingenious gentleman of my acquaintance.

He has composed, it seems, the history of a young fellow, who has taken all his notions of the world from the stage, and who has directed himself in every cir cumstance of his life and conversation, by the maxims and examples of the fine gentlemen in English comedies. If I can prevail upon him to give me a copy of this new-fashioned novel, I will bestow on it a place in my works, and question not but it may have as good an effect upon the drama, as Don Quixote had C. upon romance.

MODESTY AND ASSURANCE DISCRIMINATED.

Fallit enim vitium specie virtutis et umbra.

JUV.

Vice oft is hid in virtue's fair disguise,
And in her borrow'd form escapes inquiring eyes.

MR. Locke, in his Treatise of Human Understand

ing, has spent two chapters upon the abuse of words. The first and most palpable abuse of words, he says, is, when they are used without clear and distinct ideas: the second, when we are so inconsistent and unsteady in the application of them, that we some. times use them to signify one idea, sometimes another. He adds, that the result of our contemplations and reasonings, while we have no precise ideas fixed to our words, must needs be very confused and absurd. To avoid this inconvenience, more especially in moral discourses, where the same word should constantly be used in the same sense, he earnestly recommends the use of definitions. A definition, says he, is the only way whereby the precise meaning of moral words can be known. He therefore accuses those of great negli. gence who discourse of moral things with the least ob

scurity in the terms they make use of, since, upon the fore-mentioned ground, he does not scruple to say, that he thinks morality is capable of demonstration, as well as the mathematics.

I know no two words that have been more abused by the different and wrong interpretations which are put upon them, than those two, modesty and assurance. To say such-a-one is a modest man, sometimes indeed passes for a good character; but at present is very often used to signify a sheepish awkward fellow, who has neither good breeding, politeness, nor any knowledge of the world.

Again, a man of assurance, though at first it only denoted a person of a free and open carriage, is now very usually applied to a profligate wretch, who can break through all the rules of decency and morality without a blush.

I shall endeavour therefore in this essay to restore these words to their true meaning, to prevent the idea of modesty from being confounded with that of sheepishness, and to hinder impudcuce from passing for as

surance.

If I was put to define modesty, I would call it, The reflection of an ingenuous mind, either when a man has committed an action for which he censures himself, or fancies that he is exposed to the censure of others.

For this reason a man truly modest is as much so when he is alone as in company, and as subject to a blush in his closet, as when the eyes of multitudes are upon him.

I do not remember to have met with any instance of modesty with which I am so well pleased, as that celebrated one of the young prince, whose father being a tributary king to the Romans, had several complaints laid against him before the senate, as a tyrant and oppressor of his subjects. subjects. The prince went to Rome to defend his father; but coming into the seVOL. II. I

nate, and hearing a multitude of crimes proved upon him, was so oppressed when it came to his turn to speak, that he was unable to utter a word. The story tells us, that the fathers were more moved at this instance of modesty and ingenuity, than they could have been by, the most pathetic oration; and, in short, pardoned the guilty father for this early promise of virtue

in the son.

I take assurance to be the faculty of possessing a mau's self, or of saying and doing indifferent things without any uneasiness or emotion in the mind. That which generally gives a man assurance is a moderate knowledge of the world, but, above all, a mind fixed and determined in itself to do nothing against the rules of honour and decency. An open and assured behaviour is the natural consequence of such a resolution. A man thus armed, if his words or actions are at any time misinterpreted, retires within himself, and, from a consciousness of his own integrity, assumes force enough to despise the little censures of ignorance or malice.

Every one ought to cherish and encourage in himself the modesty and assurance I have here mentioned.

A man without assurance is liable to be made uneasy by the folly or ill-nature of every one he converses with. A man without modesty is lost to all sense of honour and virtue.

It is more than probable, that the prince abovementioned possessed both these qualifications in a very eminent degree. Without assurance he would never have undertaken to speak before the most august assem bly in the world; without modesty he would have pleaded the cause he had taken upon him, though it had appeared ever so scandalous.

From what has been said, it is plain, that modesty and assurance are both amiable, and may very well meet in the same person. When they are thus mixed and blended together, they compose what we endeavour to express when we say a modest assurance; by

« AnteriorContinuar »