An Essay of Dramatic PoesyClarendon Press, 1889 - 141 páginas |
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Página i
... English prose on which our literature can pride itself . Charles II , having been much in Paris during his exile , had been captivated by the French drama , then in the powerful hands of Corneille and Molière . In that drama , when ...
... English prose on which our literature can pride itself . Charles II , having been much in Paris during his exile , had been captivated by the French drama , then in the powerful hands of Corneille and Molière . In that drama , when ...
Página v
... English prose on which our literature can pride itself . Charles II , having been much in Paris during his exile , had been captivated by the French drama , then in the powerful hands of Corneille and Molière . In that drama , when ...
... English prose on which our literature can pride itself . Charles II , having been much in Paris during his exile , had been captivated by the French drama , then in the powerful hands of Corneille and Molière . In that drama , when ...
Página vii
... English . 3. Whether the Elizabethan dramatists were in all points superior to those of Dryden's own time . 4. Whether plays are more perfect in proportion as they conform to the dramatic rules laid down by the ancients . 5. Whether the ...
... English . 3. Whether the Elizabethan dramatists were in all points superior to those of Dryden's own time . 4. Whether plays are more perfect in proportion as they conform to the dramatic rules laid down by the ancients . 5. Whether the ...
Página viii
... English precedents of older date than any of Corneille's plays . ' By ' verse ' he means rhyme . He is not rash enough to quote Gammer Gurton's Needle and similar plays , with their hobbling twelve - syllable couplets , as ' precedents ...
... English precedents of older date than any of Corneille's plays . ' By ' verse ' he means rhyme . He is not rash enough to quote Gammer Gurton's Needle and similar plays , with their hobbling twelve - syllable couplets , as ' precedents ...
Página ix
... plays of Dryden , Lee , and Etherege have found no successors , has not blank verse also notoriously failed , however able the hands which wielded it , to be- come the vehicle and instrument of an English dramatic school PREFACE . ix.
... plays of Dryden , Lee , and Etherege have found no successors , has not blank verse also notoriously failed , however able the hands which wielded it , to be- come the vehicle and instrument of an English dramatic school PREFACE . ix.
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Términos y frases comunes
action admiration ancients appear argument Aristotle audience B.A. Extra fcap beauty Ben Johnson betwixt blank verse C. A. BUCHHEIM catachresis Catiline characters comedy compass concernment contrived Corneille Crites discourse dispute drama Dramatic Poesy Dramatick Dryden Duke of Lerma Edited by C. A. English errour ESSAY OF DRAMATIC Eugenius Euripides fancy farther favour Fletcher French poets German give Greek GUSTAVE MASSON honour Horace humour imagine imitation of nature Johnson judge judgment Julius Cæsar kind language leave Lisideius Lord Malone ment modern Molière Neander never observed opinion Ovid passions perfection persons Plautus plot poem poet prose quæ reason represented rest rhyme rule scene Scornful Lady Sejanus Seneca serious plays Shakspeare shew Silent Woman Sir Robert Howard speak stage suppose Terence theatre thing thoughts Tis true tragedy twenty-four unity of place unnatural words writ writing
Pasajes populares
Página 110 - To make a child now swaddled; to proceed Man, and then shoot up, in one beard and weed, Past threescore years ; or, with three rusty swords, And help of some few foot and half-foot words, Fight over York and Lancaster's long jars, And in the tyring-house bring wounds to scars.
Página 41 - ... All the images of nature were still present to him, and he drew them not laboriously, but luckily; when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards, and found her there.
Página 41 - I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him...
Página 43 - As for Jonson, to whose character I am now arrived, if we look upon him while he was himself (for his last plays were but his dotages), I think him the most learned and judicious writer which any theatre ever had. He was a most severe judge of himself, as well as others. One cannot say he wanted wit, but rather that he was frugal of it.
Página 44 - Catiline. But he has done his robberies so openly, that one may see he fears not to be taxed by any law. He invades authors like a monarch ; and what would be theft in other poets, is only victory in him. With the spoils of these writers he so represents old Rome to us, in its rites, ceremonies and customs, that if one of their poets had written either of his tragedies, we had seen less of it than in him.
Página 3 - The drift of the ensuing discourse was chiefly to vindicate the honour of our English writers from the censure of those who unjustly prefer the French before them. This I intimate, lest any should think me so exceeding vain as to teach others an art which they understand much better than myself.
Página 9 - Lisideius, after some modest denials, at last confessed he had a rude notion of it; indeed, rather a description than a definition; but which served to guide him in his private thoughts, when he was to make a judgment of what others writ: that he conceived a play ought to be a just and lively image of human nature,* representing its passions and humors, and the changes of fortune* to which it is subject, for the delight and instruction of mankind...
Página 41 - French plays, when translated, have, or ever can succeed on the English stage. For, if you consider the plots, our own are fuller of variety; if the writing, ours are more quick and fuller of spirit...
Página 42 - Jonson, never equalled them to him in their esteem: and in the last King's court, when Ben's reputation was at highest, Sir John Suckling, and with him the greater part of the courtiers, set our Shakespeare far above him.
Página 81 - I confess my chief endeavours are to delight the age in which I live. If the humour of this be for low comedy, small accidents, and raillery, I will force my genius to obey it, though with more reputation I could write in verse.