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action admiration already ancients answer appear argument Aristotle audience beauty better betwixt blank verse called cause characters comedy common compass concernment conclude Corneille Crites difference discourse drama Dryden Edited English Essay Eugenius excellent express Extra fcap farther favour Fletcher follow French German give given grant greater hands honour houses humour imagine imitation impossible Introduction Johnson judge judgment kind language least leave less Lisideius lived Malone mean nature never Notes observed opinion pass passions perfection persons Plautus play pleased plot poem poesy poet present probable produced prose prove reason relation represented rest rhyme rule says scene seems Selections serious sometimes sound speak stage suppose tell thing thoughts tragedy translated true truth unity UNIVERSITY writ writing written
Página 110 - To make a child now swaddled; to proceed Man, and then shoot up, in one beard and weed, Past threescore years ; or, with three rusty swords, And help of some few foot and half-foot words, Fight over York and Lancaster's long jars, And in the tyring-house bring wounds to scars.
Página 41 - ... All the images of nature were still present to him, and he drew them not laboriously, but luckily; when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards, and found her there.
Página 41 - I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him...
Página 43 - As for Jonson, to whose character I am now arrived, if we look upon him while he was himself (for his last plays were but his dotages), I think him the most learned and judicious writer which any theatre ever had. He was a most severe judge of himself, as well as others. One cannot say he wanted wit, but rather that he was frugal of it.
Página 44 - Catiline. But he has done his robberies so openly, that one may see he fears not to be taxed by any law. He invades authors like a monarch ; and what would be theft in other poets, is only victory in him. With the spoils of these writers he so represents old Rome to us, in its rites, ceremonies and customs, that if one of their poets had written either of his tragedies, we had seen less of it than in him.
Página 3 - The drift of the ensuing discourse was chiefly to vindicate the honour of our English writers from the censure of those who unjustly prefer the French before them. This I intimate, lest any should think me so exceeding vain as to teach others an art which they understand much better than myself.
Página 11 - Lisideius, after some modest denials, at last confessed he had a rude notion of it; indeed, rather a description than a definition; but which served to guide him in his private thoughts, when he was to make a judgment of what others writ: that he conceived a play ought to be a just and lively image of human nature,* representing its passions and humors, and the changes of fortune* to which it is subject, for the delight and instruction of mankind...
Página 41 - French plays, when translated, have, or ever can succeed on the English stage. For, if you consider the plots, our own are fuller of variety; if the writing, ours are more quick and fuller of spirit...
Página 42 - Jonson, never equalled them to him in their esteem: and in the last King's court, when Ben's reputation was at highest, Sir John Suckling, and with him the greater part of the courtiers, set our Shakespeare far above him.