Liberation of the ActorTemple Lodge, 1992 - 148 páginas The artist was once a messenger of the gods. Breathing in, the Greek actor was lifted into a realm of thought and inspiration. And breathing out, the will was strengthened. Can modern actors again become messengers through their own power of description and dramatization? Anyone with an interest in the spoken word, acting, or the future of the theater in general will welcome this book. The author goes beyond simple character study and interpretation to reexamine the forgotten esoteric aspects of acting. Based on Rudolf Steiner's ideas on speech and drama, Bridgmont provides a new basis for the true liberation of actors today. |
Dentro del libro
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Página 13
... give him a brush , as he so much wanted to paint . The man looked in astonishment at the bundle of rags from which the request had come . ' What a cheek ! ' he said . ' Do you think the refined art of painting is meant for vagabonds and ...
... give him a brush , as he so much wanted to paint . The man looked in astonishment at the bundle of rags from which the request had come . ' What a cheek ! ' he said . ' Do you think the refined art of painting is meant for vagabonds and ...
Página 51
... Give me the contract . A I haven't got it . B Where is it ? A Why do you want it ? B To see if you've changed it , behind my back . A Why should I ? B Don't argue . Give me the contract . A I don't know where it is . B The 51.
... Give me the contract . A I haven't got it . B Where is it ? A Why do you want it ? B To see if you've changed it , behind my back . A Why should I ? B Don't argue . Give me the contract . A I don't know where it is . B The 51.
Página 52
... Give me the contract . If you don't , then I must believe that you've rewritten it to your advantage . A I haven't got it . I haven't seen it since we last discussed it . You said we should put it in the bank . It was your idea . Yes ...
... Give me the contract . If you don't , then I must believe that you've rewritten it to your advantage . A I haven't got it . I haven't seen it since we last discussed it . You said we should put it in the bank . It was your idea . Yes ...
Contenido
The Foundation | 12 |
Effective Speaking in the Theatre | 31 |
The Wind Machine | 49 |
Derechos de autor | |
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Términos y frases comunes
acting action activity actor actresses ancient Greek antipathy appears artist attitude audience become begin behaviour breath bring centre character Clifford consonants create dactyl Dactylic Hexameter dance DAVID dead deed DESDEMONA discus Discus throwing drama duologue dynamic Eurythmy exercise experience expression familiar FATHER fear feeling forward GHOST give GLOUCESTER Greek gymnastic HAMLET hand hard palate Hecuba hexameter hold human imagination inner invisible gesture inwardly JULIET Konstantin Stanislavsky LADY listener live lyric MACBETH mime monophthong mood MOTHER mouth move movement nature OTHELLO perform physical play push release rhythm Romeo Rudolf Laban Rudolf Steiner scene sense silence situation soft palate sorry soul space speaking spear thrower speech spoken spondee stage stand STELLA stepping story-teller style syllable theatre thou thought throwing thrust stage tone Tybalt V V V V voice weight word wrestling