Liberation of the ActorTemple Lodge, 1992 - 148 páginas The artist was once a messenger of the gods. Breathing in, the Greek actor was lifted into a realm of thought and inspiration. And breathing out, the will was strengthened. Can modern actors again become messengers through their own power of description and dramatization? Anyone with an interest in the spoken word, acting, or the future of the theater in general will welcome this book. The author goes beyond simple character study and interpretation to reexamine the forgotten esoteric aspects of acting. Based on Rudolf Steiner's ideas on speech and drama, Bridgmont provides a new basis for the true liberation of actors today. |
Dentro del libro
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Página ix
... artists that lifts one above the other ? In the world of music the technique is often so remarkable that other , esoteric ... artist . ' Something of the same nature could exist again in the theatre . This book attempts to remind us of ...
... artists that lifts one above the other ? In the world of music the technique is often so remarkable that other , esoteric ... artist . ' Something of the same nature could exist again in the theatre . This book attempts to remind us of ...
Página 1
... artist's own life experience and character . One of the miracles of art is that a painting , a dance or a musical performance is often a world apart from the personality of the artist . He or she can go beyond themselves in their art ...
... artist's own life experience and character . One of the miracles of art is that a painting , a dance or a musical performance is often a world apart from the personality of the artist . He or she can go beyond themselves in their art ...
Página 8
... artistic thought repulsed the evolving naturalistic drama , particularly in Germany . All that we have left of this ... artist Adolphe Appia , to name but two . Stanislavsky clarified what was the finalising of a long historical process ...
... artistic thought repulsed the evolving naturalistic drama , particularly in Germany . All that we have left of this ... artist Adolphe Appia , to name but two . Stanislavsky clarified what was the finalising of a long historical process ...
Contenido
The Foundation | 12 |
Effective Speaking in the Theatre | 31 |
The Wind Machine | 49 |
Derechos de autor | |
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Términos y frases comunes
acting action activity actor appears approaching artist attitude audience aware become begin believe body breath bring carried CHAPTER character Clifford comes complete consonants create dance DAVID dead describe DESDEMONA develop drama dynamic effective energy epic exercise experience expression eyes familiar FATHER fear feeling Finally force forward gesture give HAMLET hand hear hold human idea imagination inner invisible leave listener live look lost lyric mean mime mood MOTHER mouth move movement nature object OTHELLO perform perhaps physical picture play position preparation Press push reach release remember scene sense silence situation soul sound space speaker speaking spear speech spoken stage stand stepping style theatre things thou thought throwing true turn voice vowel weight wish