Comedies. Two gentlemen of Verona |
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Página 22
The general , subject to a well - wish'd king , Ang . And his offence is so , as it
appears Quit their own part , and in obsequious fondness Accountant to the law
upon that pain . Crowd to his presence , where their untaught love Isab . True .
The general , subject to a well - wish'd king , Ang . And his offence is so , as it
appears Quit their own part , and in obsequious fondness Accountant to the law
upon that pain . Crowd to his presence , where their untaught love Isab . True .
Página 4
Yet to me it appears , not only in its structure , but in its taste and feeling , to bear
a more classical character , and to be more assimilated to the higher Grecian
drama , in its spirit , than any other of its author's works or indeed any other poem
of ...
Yet to me it appears , not only in its structure , but in its taste and feeling , to bear
a more classical character , and to be more assimilated to the higher Grecian
drama , in its spirit , than any other of its author's works or indeed any other poem
of ...
Página 4
Yet to me it appears , not only in its structure , but in its taste and feeling , to bear
a more classical character , and to be more assimilated to the higher Grecian
drama , in its spirit , than any other of its author's works or indeed any other poem
of ...
Yet to me it appears , not only in its structure , but in its taste and feeling , to bear
a more classical character , and to be more assimilated to the higher Grecian
drama , in its spirit , than any other of its author's works or indeed any other poem
of ...
Página 54
But painted statues were known “ — Let boors and FRANKLINS say it ' - A “
franklin " to the Greeks , as appears from the accounts of Pausa was a freeholder
, or yeoman : a man above a villain , nias and Herodotus . That semi - barbarous
...
But painted statues were known “ — Let boors and FRANKLINS say it ' - A “
franklin " to the Greeks , as appears from the accounts of Pausa was a freeholder
, or yeoman : a man above a villain , nias and Herodotus . That semi - barbarous
...
Página
But painted statues were known to the Greeks , as appears from the accounts of
Pausa- was a j nias and Herodotus . That seini - barbarous nations : but not
should paint them , is not , therefore , to be wondered at ; 1 it is a custom which
has ...
But painted statues were known to the Greeks , as appears from the accounts of
Pausa- was a j nias and Herodotus . That seini - barbarous nations : but not
should paint them , is not , therefore , to be wondered at ; 1 it is a custom which
has ...
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Crítica de los usuarios - Marcar como inadecuado
"like a wood woman" might indeed have meant "frantic" or "wild" (with grief) which Launce mentions referring to the "shoe" which he adopts for the sake of illustration. However, Shakespeare, even at his earliest writings, was vastly entertained by double entendres and his love of puns is so well documented. In that time in Italy, women wore platform shoes which were raised to elevate the shoes from the mud and other unpleasant "stuff". These were called "chopines" and the platforms were constructed of wood. The higher the platform, the higher the pretentiousness of the lady. Her height could have put her above many others. Since Launce has his father and mother represented as shoes, this second meaning is certainly not outside of the possibility for Shakespeare's intention. Naturally, it would have had the effect of a rather "localized" and "temporary" idea, but the fact of its having been very popular in that day makes it a candidate for the Bard's delight.
Otras ediciones - Ver todas
Términos y frases comunes
answer appears bear Beat beauty better Biron bring brother character comedy comes common copies Count daughter death desire doth Duke editions Enter Erit Exeunt expression eyes face fair fairy father fear folio follow fool Ford fortune give grace hand hast hath head hear heart heaven hold honour hope husband I'll Italy John keep kind King lady leave light live look lord madam marry master means mind mistress nature never night once original passage play Poet poor pray present printed probably reason SCENE seems sense Shakespeare speak Speed spirit stand stay sweet tell thank thee thing thou thou art thought true truth turn wife woman young youth
Pasajes populares
Página 23 - I am a Jew : Hath not a Jew eyes ? hath not a Jew hands, organs, dimensions, senses, affections, passions ? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is ? if you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge ? if we are like you in the rest, we will resemble you in that. If a...
Página 47 - Of law there can be no less acknowledged, than that her seat is the bosom of God, her voice the harmony of the world ; all things in heaven and earth do her homage, the very least as feeling her care, and the greatest as not exempted from her power...
Página 14 - Shylock, we would have monies', You say so; You, that did void your rheum upon my beard, And foot me, as you spurn a stranger cur Over your threshold; monies is your suit. What should I say to you? Should I not say, Hath a dog money? is it possible, A cur can lend three thousand ducats'?
Página 26 - But love, first learned in a lady's eyes, Lives not alone immured in the brain; But with the motion of all elements, Courses as swift as thought in every power; And gives to every power a double power, Above their functions and their offices.
Información bibliográfica
| Título | Comedies. Two gentlemen of Verona Volumen2 de Shakespeare's Plays: With His Life : Illustrated with Many Hundred Wood-cuts, Gulian Crommelin Verplanck Volumen2 de Shakespeare's Plays: With His Life, Gulian Crommelin Verplanck Volumen2 de Shakespeare's Plays: With His Life. Illustrated with Many Hundred Wood-cuts, Executed by H.W. Hewet, After Designs by Kenny Meadows, Harvey, and Others, Gulian Crommelin Verplanck |
| Autor | William Shakespeare |
| Editor | Gulian Crommelin Verplanck |
| Ilustrado por | Henry W. Hewet |
| Editor | Harper & brothers, 1847 |
| Procedencia del original | Universidad de Harvard |
| Digitalizado | 9 Feb. 2006 |
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