The Complete Works of William Shakespeare: With a Life of the Poet, Explanatory Foot-notes, Critical Notes, and a Glossarial Index, Volumen1Ginn, Heath, & Company, 1881 |
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Página 18
... scene 2 , of The Winter's Tale . He thinks the Poet could not have written that and other strains of like import , but that he was stung into doing so by his own bitter experience of " sorrow and shame " ; and the argument is that ...
... scene 2 , of The Winter's Tale . He thinks the Poet could not have written that and other strains of like import , but that he was stung into doing so by his own bitter experience of " sorrow and shame " ; and the argument is that ...
Página 25
... scene in a country . " Here the fling at Shakespeare is unmistakeable , and nobody questions that he is the " Shake - scene " of the passage . The terms of the allusion yield conclusive evidence as to how the Poet stood in 1592. Though ...
... scene in a country . " Here the fling at Shakespeare is unmistakeable , and nobody questions that he is the " Shake - scene " of the passage . The terms of the allusion yield conclusive evidence as to how the Poet stood in 1592. Though ...
Página 26
... scene was a Do - all , a Johannes Fac - totum , who could turn his hand to any thing ; and his readiness to undertake what none others could do so well naturally drew upon him the imputation of conceit from those who envied his rising ...
... scene was a Do - all , a Johannes Fac - totum , who could turn his hand to any thing ; and his readiness to undertake what none others could do so well naturally drew upon him the imputation of conceit from those who envied his rising ...
Página 79
... SCENE . - Ephesus . ACT I. SCENE I. A Hall in the DUKE's Palace . --- Enter the DUKE , ÆGEON , Jailer , Officers , and other Attendants . Ege . Proceed , Solinus , to procure my fall , And by the doom of death end woes and all . Duke ...
... SCENE . - Ephesus . ACT I. SCENE I. A Hall in the DUKE's Palace . --- Enter the DUKE , ÆGEON , Jailer , Officers , and other Attendants . Ege . Proceed , Solinus , to procure my fall , And by the doom of death end woes and all . Duke ...
Página 81
... . The word was used much more loosely in the Poet's time than it is now . 8 For in the sense of because or for that . A frequent usage . Unwilling I agreed . Alas , too soon We came SCENE I. 81 THE COMEDY OF ERRORS .
... . The word was used much more loosely in the Poet's time than it is now . 8 For in the sense of because or for that . A frequent usage . Unwilling I agreed . Alas , too soon We came SCENE I. 81 THE COMEDY OF ERRORS .
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Términos y frases comunes
Ægeon Antipholus Ben Jonson chain Collier's second folio common correction daughter death didst doth Duke Dyce edition Eglamour Enter Ephesus Exeunt Exit fair father fool gentle gentlemen Gentlemen of Verona give grace hair hand hath hear Henry Condell honour husband instance Item John Heminge John Shakespeare Julia Julius Cæsar King labour lady Launce letter live look lord Lucetta LUCIANA Madam Marry master means merry mind mistress old copies old text phrase plays Poet Poet's pray printed probably quibble SCENE seems sense servant Shake Silvia Sir Proteus Sir Thurio sister Snitterfield speak Speed Stratford Stratford-upon-Avon sure Susanna Hall sweet Syracuse tell thee thing thou art thou hast thought thyself Twelfth Night unto Valentine Venus and Adonis verse villain wife William Shakespeare word
Pasajes populares
Página 48 - What things have we seen Done at the Mermaid! Heard words that have been So nimble and so full of subtle flame As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life.
Página 34 - As Plautus and Seneca are accounted the best for Comedy and Tragedy among the Latins, so Shakespeare among the English is the most excellent in both kinds for the stage...
Página 49 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions...
Página 37 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Página 30 - The warrant I have of your Honourable disposition, not the worth of my untutored lines, makes it assured of acceptance. What I have done is yours, what I have to do is yours, being part in all I have devoted yours.
Página 37 - tis true I have gone here and there And made myself a motley to the view, Gored mine own thoughts, sold cheap what is most dear, Made old offences of affections new.
Página 68 - The applause! delight! the wonder of our stage! My Shakespeare rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read, and praise to give.
Página 69 - And joyed to wear the dressing of his lines ! Which were so richly spun, and woven so fit, As, since, she will vouchsafe no other wit. The merry Greek, tart Aristophanes, Neat Terence, witty Plautus, now not please ; But antiquated and deserted lie, As they were not of nature's family. Yet must I not give nature all ; thy art, My gentle SHAKESPEARE, must enjoy a part.
Página 31 - Sweet Swan of Avon! what a sight it were To see thee in our water yet appear, And make those flights upon the banks of Thames That so did take Eliza and our James!
Página 73 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took ; Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving ; And, so sepulchred, in such pomp dost lie, That kings, for such a tomb, would wish to die.