Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 páginas In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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... thing your character ( who would probably rather hide ) does . Complicity , invitation , dual connection - all are really the same thing : your rapport with the audience . THEATRICAL TRUTH In addition to your character's objectives ...
... thing your character ( who would probably rather hide ) does . Complicity , invitation , dual connection - all are really the same thing : your rapport with the audience . THEATRICAL TRUTH In addition to your character's objectives ...
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... thing . Think of a split - screen shot of a phone call in a movie or television show like Mad About You . In Peter Ackerman's play , Things You Shouldn't Say Past Midnight , a 3 A.M. conference call between three apartments exploits ...
... thing . Think of a split - screen shot of a phone call in a movie or television show like Mad About You . In Peter Ackerman's play , Things You Shouldn't Say Past Midnight , a 3 A.M. conference call between three apartments exploits ...
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... thing . Audience : " Hedda could kill right now . " } ) . Then you have reclaimed him — as the saying goes { forced ... things . HEDDA : MRS . ELVSTED : HEDDA : Did he give you lessons too , then ? No , not exactly lessons . But he ...
... thing . Audience : " Hedda could kill right now . " } ) . Then you have reclaimed him — as the saying goes { forced ... things . HEDDA : MRS . ELVSTED : HEDDA : Did he give you lessons too , then ? No , not exactly lessons . But he ...
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Playing the Audience: The Practical Actor's Guide to Live Performance James B. Nicola Vista previa limitada - 2002 |
Términos y frases comunes
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York