The Romantic Manifesto: An AnthologyP. Lang, 1988 - 156 páginas The vexed question of what the Romantics themselves said about Romanticism has been approached in a number of different ways, but their major public declarations have never been gathered together. Indeed, with the exception of a few of these (such as Stendhal's Racine et Shakespeare), this body of evidence has been unavailable to the English-speaking audience. Many of these manifestos are translated here for the first time: the remaining are newly translated for this collection. Taken together, they show Romanticism as a coherent and unified movement appearing in pulses throughout Eastern and Western Europe in the early nineteenth century, with a continual spiritual kinship to Schlegelian origins. |
Contenido
The Manifesto as a Genre | 1 |
Friedrich Schlegel Athenäum Fragments 116 139 238 1798 | 13 |
August Wilhelm Schlegel Vienna Lectures on Literature 1 22 1808 | 59 |
Derechos de autor | |
Otras 3 secciones no mostradas
Términos y frases comunes
admiration Alexander Pushkin ancient appeared August Wilhelm August Wilhelm Schlegel beautiful Bowles Byron century character Christianity classical antiquity classicists composition criticism doctrines drama emotions English epic epic poetry excitement existence express fact feelings France French Friedrich Schlegel genius genre German give Greek Heine Heinrich Heine Homer human ideas illusion imagination imitation interest kind language Larry H letters literary Madame de Staël means metre metrical Middle Ages mind models modern nations nature neoclassicism never novel object origin Paris passions philosophy pleasure poems poet poetic Pope preface present principle prose Pushkin Racine reader reading reason religion Romantic literature Romantic manifesto Romantic poetry Romanticism rules Russian rustic sense sentiments Shakespeare soul Spanish spectator spirit Stendhal style talent taste theater theory things thought tragedy translated by Larry true truth unity verse Victor Hugo words Wordsworth writers