The fetting of thine eye and cheek proclaim Ant. Thus, Sir: Although this lord of weak remembrance, this, When he is earth'd; hath here almost perfuaded, Seb. I have no hope, That he's undrown'd. Ant. O, out of that no hope, What great hope have you? no hope, that way, is Another way fo high an hope, that even Ambition cannot pierce a wink beyond, + But doubts difcovery there. That Ferdinand is drown'd? Seb. He's gone. Ant. Then tell me Will you grant, with me Who's the next heir of Naples ? Seb. Claribel. Ant. She that is Queen of Tunis, fhe that dwells Ten leagues beyond man's life; fhe that from Naples 2 This lord who being now in his dotage has outlived his faculty of remembring, and who once laid in the Ground fhall be as little remembered himff as he can now remember other things. For he's afpirit of perfuafion.] Of this entangled fentence I can draw no fenfe from the prefent reading, and therefore imagine that the Author give it thus: For he, a spirit of perfuafion, only prefiffes to perfuade. Of which the meaning may be either that be alone who is a Spirit of perfuafion, professes to per frade the King or that, He only profefes to perfuade that is quith. out being jo perjuaded himself he makes a few of perfuading the King 4 I hat this is the utmoft extent of the profpe&t of ambition, the point where the eye can pafs no further, and where objects lofe their diftinctnefs, fo that what is there difovered, is faint, obfcure, and doubtful. Can Can have no note, unless the fun were poit, (The man i' th' moon's too flow) 'till new-born chins Whereof, what's paft is prologue; what to come, Seb. What ftuff is this? how lay you? 'Tis true, my brother's daughter's Queen of Tunis, So is the heir of Naples; 'twixt which regions. There is fome space. Ant. A fpace, whose ev'ry cubit Seems to cry out, how fhall that Claribel As this Gonzalo; I myself could make A chough of as deep chat. O, that you bore For your advancement! do you understand me? Ant. And how does your content Seb. I remember, You did fupplant your brother Profpero. 5 Thefe lines ftand in the old Edition thus: -though fome caft again And by that deftiny, to perform an ast Where what's past is prologue, The reading in the later Editions cept that in the last line in fhould be is, and perhaps we might better fay-and that by destiny. It being a common plea of wickedness to cal temptation destiny. Sleep in Tunis, Aut. Ant. True: And, look, how well my garments fit upon me; Ant. Ay, Sir; where lies that?7 If 'twere a kybe, 'twould put me to my flipper; Ten confciences, that ftand 'twixt me and Milan, Candy'd be they, and melt, ere they moleft! Here lyes your brother No better than the earth he lyes upon, If he were that which now he's like, that's dead; Whom I with this obedient feel, three inches of it, Can lay to bed for ever: you doing thus, To the perpetual wink for ay might put 8 This ancient Morfel, this Sir Prudence, who Seb. Thy cafe dear friend, Shall be my precedent: as thou got'ft Milan, I'll come by Naples. Draw thy fword; one ftroke Shall free thee from the tribute which thou pay'st; 7 In the first Edition thefe lines are otherwife arranged. Ay Sir, where lyes that? if twere a kyle Twould put me to my flipper, but I feel not This Deity in my bofom. Twenty confciences That ftand twixt me and Milan, Here candy'd be they. And melt ere they moleft. lies your brother. The prefent reading is quite arbitrary, as appears by the ne ceflity of changing twenty to ten, but the change being for the better, it is fufficient barely to note it. I think we may safely read, Candied be they or melt. That is, let my confcience be dried up and lie unactive, or melt and run quite away. For Morfel Dr. Warburton reads antient Moral, very elegantly and judiciously, yet I know not whether the Author might not write Morfel, as we fay a piece of a Man. And And I the King shall love thee. Ant. Draw together: And when I rear my hand, do you To fall it on Gonzalo. Seb. O, but one word the like Enter Ariel, with Mufick and Song. Ari. My mafter through his art forefees the danger, That you, his friend are in; and fends me forth For else his project dies to keep them living. 9 [Sings in Gonzalo's Ear. While you here do fnoring lye, Open-ey'd confpiracy His time dotb take: If of life you keep a care, Ant. Then let us both be fudden. Gon. Now, good angels preferve the King! [They wake. Wherefore this ghaftly looking? 9to keep them living ] i. e. Alonzo and Antonio; for it was on their lives that his project depended. Yet the Oxford Editor alters them, to you, becaule in the verfe before, it is faid-you bis friend; as if, because Ariel was fent forth to fave his friend, he could not have another purpofe in fending him, viz. to fave his project too. WARBURTON. Tthink Dr. Warburton and the Oxford Editor both mistaken. The fenfe of the paffage as it now stands is this: He fees your danger and will therefore fave them. Dr. Warburton has mif taken Antonio for Gonzalo. Ariel would certainly not tell Gonzalo that his mafter faved him only for his project. He fpeaks to himself as he approaches, My mafter through his art fore. fees the danger, That these his friends are in. Thefe written with a y according to the old practice, did not much differ from you. 11 drawn] Having your Swords diawn. So in Romeo and Juliet, What art thou drawn among these heartless binds? Seb. Seb. While we flood here fecuring your repofe, Alon. I heard nothing. Ant. O, 'twas din to fright a monster's ear; Alon. Heard you this? [To Gonzalo.] Gon. Upon my honour, Sir, I heard a humming, For my poor fon. Con. Heaven's keep him from thefe beafts! Alon, Lead away. Ari. Profpero my lord ball know what I have done, So, King, go fafely on to feek thy lon. Cal. SCENE II. Changes to another part of the Iland. [Exeunt. Enter Caliban with a burden of word; a noife of A thunder beard. LL the Infections, that the fun fucks up From bogs, fens, flats, on Profper fall, and make him By inch-meal a difcafe! his fpirits hear me, And yet I needs must curfe. But they'll not pinch, Out of my way, unless he bid 'em; but Some |