Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 páginas Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Página xvi
... Sir John Falstaff was written about the same time , though it was not published till 1777 . He knew neither Richardson nor Whately , and believed that in considering Shakespeare in detail he was under- taking ' a task hitherto ...
... Sir John Falstaff was written about the same time , though it was not published till 1777 . He knew neither Richardson nor Whately , and believed that in considering Shakespeare in detail he was under- taking ' a task hitherto ...
Página 155
... SIR JOHN FALSTAFF THE ideas which I have formed concerning the Courage and Military Character of the Dramatic Sir John Falstaff , are so different from those which I find generally to prevail in the world , that I shall take the liberty ...
... SIR JOHN FALSTAFF THE ideas which I have formed concerning the Courage and Military Character of the Dramatic Sir John Falstaff , are so different from those which I find generally to prevail in the world , that I shall take the liberty ...
Página 165
... Sir John Falstaff , taken at that period of his life in which we see him , become the most perfect Comic character that perhaps ever was exhibited . It may not possibly be wholly amiss to remark in this place , that if Sir John Falstaff ...
... Sir John Falstaff , taken at that period of his life in which we see him , become the most perfect Comic character that perhaps ever was exhibited . It may not possibly be wholly amiss to remark in this place , that if Sir John Falstaff ...
Contenido
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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Términos y frases comunes
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers