Tragic Plots: A New Reading from Aeschylus to LorcaAshgate, 2000 - 248 páginas Rosslyn (English, U. of Leicester) traces the central stream of feeling in tragic drama across time and cultural barriers, particularly looking at what the audience needs expressed and what the artist does to meet that need. Though the plays themselves provide the evidence, and the plots reveal which problems the audience is most preoccupied with, she warns that scholars must be alive to the difference between what they say they are about, what they think they are about, and what audiences sense they really are about. The playwright, she says, may be as unclear as everyone else about the real motive for writing. Annotation copyrighted by Book News Inc., Portland, OR |
Dentro del libro
Resultados 1-3 de 49
Página 18
... truth each side is trying to protect . The male perception is transcendental ( in the literal sense of existing beyond the world of matter ) , and hence not producible as evidence . But the truth the female argument protects is material ...
... truth each side is trying to protect . The male perception is transcendental ( in the literal sense of existing beyond the world of matter ) , and hence not producible as evidence . But the truth the female argument protects is material ...
Página 140
... truth tellers among his characters are either vicious , or mad : and when Lear comes as close as he can to recognition of what he has done , it is not only Cordelia , but the play , that wraps him in loving sympathy : Lear Cor . Be your ...
... truth tellers among his characters are either vicious , or mad : and when Lear comes as close as he can to recognition of what he has done , it is not only Cordelia , but the play , that wraps him in loving sympathy : Lear Cor . Be your ...
Página 150
... truth operates as a kind of lie . It is true that he will be ' king hereafter ' ; but it is only in Macbeth's mind that that promise seems glorious , an assurance that he will be king in the same sense Duncan is king . The witches ...
... truth operates as a kind of lie . It is true that he will be ' king hereafter ' ; but it is only in Macbeth's mind that that promise seems glorious , an assurance that he will be king in the same sense Duncan is king . The witches ...
Otras ediciones - Ver todas
Tragic Plots: A New Reading from Aeschylus to Lorca Felicity Rosslyn Sin vista previa disponible - 2017 |
Tragic Plots: A New Reading from Aeschylus to Lorca Felicity Rosslyn Sin vista previa disponible - 2019 |
Términos y frases comunes
Aegisthus Aeschylus Agamemnon Allmers Alving Antigone Aphrodite Apollo Apollonian Athenian Athens audience Bacchants becomes Bernarda blood body bonds brings characters Chekhov child classical Clytaemnestra consciousness context Coriolanus Creon crime daughters dead death Desdemona Dionysiac Dionysus drama earth Electra Eumenides Euripides Eyolf father Faustus fear Federico García Lorca feel female Furies Gayev gives goddess gods Greek Hamlet hero heroic Hippolytus honour horror human husband Iago Ibsen incest individual issue Jason justice killed kind king Lear Little Eyolf live Lorca Macbeth Machiavel male Marlowe marriage masculine means Medea mother murder nature never Nora Oedipus Oresteia Orestes Othello passion Pentheus perhaps Phaedra play plot polis punishment Renaissance repr revenge Rita role says scene seems sense sexual Shakespeare shows Sophocles Strindberg T.S. Eliot takes tell terrible Thebes things Torvald tragedy tragic trans truth wife woman women Yerma Zeus