At this period, Orlando, Oliver, and Turpin, are the only Paladins left alive, the rest being overwhelmed by a torrent of enemies, yet dying upon heaps of Pagans that had fallen by their hands. We know nothing finer or more impressive of its kind than the death of the hardy generous Oliver, whom the reader follows over the bloody field with most earnest anxiety. In almost his last moments it will be seen that he affords another instance of the prevalence of those affections that distinguish him so importantly from Orlando. We should mention that, independently of many mortal hurts before inflicted, he has just received a fatal wound from the gigantic Caliph of Baldracha. Nevertheless, * "He scour'd that memorable field amain Till now all sight and consciousness he lost, By one dread blow upon his helm embost: 'My dear and noble cousin (then he said) Why against me is thus thy rage directed? Art thou on sudden turn'd a renegade, Hast thou our faith, our God, and Christ, rejected?" 'Pardon !' (cry'd Oliver) nor me upbraid; I knew you not, nor here to meet expected: 'That to my sister, whom so dear you prize, : Orlando's grief all utterance denies, He scarce had strength remaining to comply, 'Now strongly strike, my valiant coz! (he cried) They were brothers, by marriage, as well as cousins. Full thirty Pagans by his weapon died Weak as he was, with ev'ry sense forlore : Him and his steed could no obstruction stay "Till he cut through the scatter'd foes' array." His horse carries him to his tent, and, alighting, Oliver dies upon his knees in the act of prayer. dent, and worthily related by the author. is not so striking: he and Orlando retire This is a noble inciThe death of Turpin from the field for a few moments, when the bold archbishop dies of fatigue and loss of blood; and the angels, "Amid sweet songs and hymns of joy and grace, Bore Turpin's soul to Heaven's holy place." Orlando is then only left by all his great companions, and he fervently prays to be allowed to die upon the spot. A voice from Heaven promises that he shall soon rejoin the Paladins, and just afterwards his young squire, Terigi, arrives. "The count receiv'd him with a kindly gladness, And said, 'To yonder mountain let us go.' Orlando and his squire both mov'd in sadness, With Durlindana struck a furious blow, Full oftentimes again he struck his sword Upon the jagged rock its blade to break, Th' unequall'd God, and of his sword 'gan speak: 'Had I but known thy virtue from the first I ne'er had doubted, temper'd as thou art, Then putting horn to mouth, his mighty heart, Charlemaine, at St. Jean piè de Port, heard it, and said to his barons, "What means that sound of my bold nephew's horn? Thy thoughts I ween befit a younker's head.' The traitor next tells Charles that Orlando is only hunting on the plain; and, in the mean time, Orlando orders Terigi to speed to Charlemaine with the news of the disastrous fight of Roncesvalles. It does not seem that the bursting of his heart occasioned instant death, since he blows a third time with all his remaining strength ; He fell upon his knees, spent, broken-hearted, At the third blast, all is confusion at St. Jean. Gan is accused of treachery, is struck by Ogier, Gerard, Namus, and others, and cast into a dungeon; while the emperor makes instant preparations to cross the Pyrennees, and, by a miracle, the mountains are removed and the rough places made plain that he may arrive with greater speed. On the road, Charles meets Terigi; and, to shew how well little circumstances are introduced to add to the general effect, we may mention that the squire, in the stupefaction of his suffering, and in the anxiety to make its cause known, forgot to kneel to the emperor. We can only give one stanza of his affecting relation of the disaster. "Dead is Orlando, flower of chivalry; Dead is Astolfo, his brave cousin dear; And Angiolino, strong of arm whilere : With noble Walter of the Lion-Mount." Charlemaine thus imprecates the most dreadful curses upon Ganelon. "Curst be the father in his lonely tomb And curst no less the wretched mother's womb Thy league detested with the Pagan might, Have slain my hope, all Christendom's sweet flow'r, Terigi leads him to the body of Orlando, over which the emperor weeps bitterly; and, striking his breast and face, exclaims, addressing the corse; "Is this the promise that you made to me You promis'd, with a look that spoke your thought, Into my hand it should be then restor❜d." Here a new wonder is shewn; for the dead body of Orlando, being filled by the Santo Spirito, rises from the earth. "To Charles, Orlando with his sword in hand The holy spirit that had fill'd it fled, And down it dropp'd a shapeless heap, and dead." This part of the story, we apprehend, differs from most of the other romances, some stating that Orlando failing to break his sword flung it into a river, while others relate that he succeeded in destroying it, not by striking it upon the rock, but by inserting it in a crevice and then dragging it transversely.— We like the invention of Zinabi much better, nor was it inconsistent with the superstition of his time. Charles takes ample vengeance on the Moors, compelling Marsilio to throw himself from a lofty tower, and returns to Paris with the dead bodies of the Paladins, which are laid in the church of Nostra Donna di Parigi. We need not dwell upon the exemplary punishment of Ganelon, who is torn to pieces by four wild horses, after his wife has in vain interceded, and his nephew fought for him. Alda not being in Paris the emperor sends for her, and, when informed of the fate of her husband and her brother, she hastens in an agony of grief to Nôtre Dame, where, as we have said, their corses are deposited. "She groan'd, and tears ran down her pallid cheek While she besought th' eternal Majesty, That she might hear once more Orlando speak, Her lord without a peer in chivalry: Then to console the kneeling lady meek, This miracle God wrought most wond'rously, Should comfort her, and she his voice should hear. 'Sweet sister! (said he) we are now at rest Amid the glory of our Saviour dear.' After thanks to his auditors, the poem concludes with the following stanza : "Lordings, for you this rhiming tale is told: Entreats high God him in his care to hold, And aye preserve him from his wrath divine; If we had space, we should, probably, think it needless to add any thing to the running criticism with which we have accompanied our quotations. ART. VII.-Hudibras. The Second Part. London, Printed in the year 1663. Butler's Ghost; or Hudibras, the Fourth Part, with Reflections upon these Times. London, 1682. |