Redefining a Period Style: "Renaissance," "Mannerist," and "Baroque" in LiteratureDuquesne University Press, 1990 - 206 páginas A study questioning current assumptions concerning the inter- relationships between concepts of historical periods and the criteria commonly employed to define and differentiate varieties of literary style. Of particular concern is the application (or, frequently, misapplication) of terms and values derived from the visual arts to the arts of discourse, where they are often used so loosely that they become meaningless. |
Contenido
Two Categories of Perception or Expression? | 34 |
The Classical Image and Renaissance Pedagogy | 52 |
Five The Sensibility of Mannerism | 83 |
Derechos de autor | |
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Redefining a Period Style: "Renaissance," "Mannerist," and "Baroque" in ... John M. Steadman Vista de fragmentos - 1990 |
Redefining a Period Style: "Renaissance," "Mannerist," and "Baroque" in ... John M. Steadman Vista de fragmentos - 1990 |
Términos y frases comunes
aesthetic analogies ancients anti-Ciceronian anticlassical antiquity appear Arnold Hauser art and literature art historical artists attempts baroque art baroque style Cicero Ciceronian Cinquecento concepts concettisti conscious contemporary Counter-Reformation Crashaw Croll cultural decorum defined Donne E.H. Gombrich elements emphasis epic Erwin Panofsky exploitation expression frequently genre Hauser Heinrich Wölfflin heroic High Renaissance historians humanist idea ideal imitation individual influence intellectual invention Italian John Donne late Renaissance Latin learning logical mannerism Marino metaphors metaphysical poetry Milton models modern modes nature neoclassical ornament pagan painter painting Panofsky paradoxes passion period styles philosophical poem poetic poets principles prose Quintilian regarded Renais Renaissance art Renaissance classicism René Wellek rhetorical Richard Crashaw sance schema scholastic Segel Seicento Senecan sense sensibility seventeenth century social spiritual structure stylistic Sypher Tasso taste techniques tensions theorists theory tion Torquato Tasso tradition unity variety verbal verisimilitude visual arts Wölfflin writers York