On EloquenceYale University Press, 2008 - 199 páginas "On Eloquence" questions the common assumption that eloquence is merely a subset of rhetoric, a means toward a rhetorical end. Denis Donoghue, an eminent and prolific critic of the English language, holds that this assumption is erroneous. While rhetoric is the use of language to persuade people to do one thing rather than another, Donoghue maintains that eloquence is gratuitous, ideally autonomous, in speech and writing an upsurge of creative vitality for its own sake. He offers many instances of eloquence in words, and suggests the forms our appreciation of them should take.Donoghue argues persuasively that eloquence matters, that we should indeed care about it. Because we should care about any instances of freedom, independence, creative force, "sprezzatura," he says, especially when we liveperhaps this is increasingly the casein a culture of the same, featuring official attitudes, stereotypes of the officially enforced values, sedated language, a politics of pacification. A noteworthy addition to Donoghue s long-term project to reclaim a disinterested appreciation of literature "as literature," this volume is a wise and pleasurable meditation on eloquence, its unique ability to move or give pleasure, and its intrinsic value." |
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Página 32
... writing a study of King Lear : it was , as she said , on the tapis . He gave a lecture to the Royal Irish Academy on the first scene of the play , but we heard nothing further of the book . Meanwhile , he persisted in admiring Latin and ...
... writing a study of King Lear : it was , as she said , on the tapis . He gave a lecture to the Royal Irish Academy on the first scene of the play , but we heard nothing further of the book . Meanwhile , he persisted in admiring Latin and ...
Página 146
... writing or speech by calling it fluent or mellifluous . Eloquence is morally irresponsible , we are warned , rotten with vanity . When we flow with eloquence , we are not inspired by the Muses , though we may think we are : on the ...
... writing or speech by calling it fluent or mellifluous . Eloquence is morally irresponsible , we are warned , rotten with vanity . When we flow with eloquence , we are not inspired by the Muses , though we may think we are : on the ...
Página 199
... Writing : aims of , 170 ; qualities of , 13 Yeats , William Butler , 13 , 48 , 120 ; " Down by the Salley Gardens , " 129 ; " Long - Legged Fly , " 95 ; " No Second Troy , " 14 ; " The Second Coming , " 45-46 , 135 ; " The Song of the ...
... Writing : aims of , 170 ; qualities of , 13 Yeats , William Butler , 13 , 48 , 120 ; " Down by the Salley Gardens , " 129 ; " Long - Legged Fly , " 95 ; " No Second Troy , " 14 ; " The Second Coming , " 45-46 , 135 ; " The Song of the ...
Contenido
CHAPTER | 2 |
The Latin Factor | 21 |
Song Without Words | 44 |
Derechos de autor | |
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Aeschylus alliteration appear asked become better Blackmur blue body Burke chapter claim comes common Complete context criticism culture death Donne Eliot eloquence English Essays expression eyes face feeling figures force further given gives goes hand hold human ideas imagination instance John keep kind King knock language later Latin least leave light Literature live London look Macbeth matter meaning merely mind moving nature never night object Oxford passage passion phrase play pleasure poem poet poetry possible present question quoted reader reading reason refers relation response rhetoric rhythm seems sense sentence silence song sounds speak speech story style talk tells things thought tion trans translation tree turns understand University Press whole words writing York