On EloquenceYale University Press, 2008 - 199 páginas "On Eloquence" questions the common assumption that eloquence is merely a subset of rhetoric, a means toward a rhetorical end. Denis Donoghue, an eminent and prolific critic of the English language, holds that this assumption is erroneous. While rhetoric is the use of language to persuade people to do one thing rather than another, Donoghue maintains that eloquence is gratuitous, ideally autonomous, in speech and writing an upsurge of creative vitality for its own sake. He offers many instances of eloquence in words, and suggests the forms our appreciation of them should take.Donoghue argues persuasively that eloquence matters, that we should indeed care about it. Because we should care about any instances of freedom, independence, creative force, "sprezzatura," he says, especially when we liveperhaps this is increasingly the casein a culture of the same, featuring official attitudes, stereotypes of the officially enforced values, sedated language, a politics of pacification. A noteworthy addition to Donoghue s long-term project to reclaim a disinterested appreciation of literature "as literature," this volume is a wise and pleasurable meditation on eloquence, its unique ability to move or give pleasure, and its intrinsic value." |
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Página 13
... play , a novel , or an essay in the New Yorker . Other issues have asserted themselves . " What we find in the universities , " as Hartman says , " is a rising demand for a didactic approach , for advocacy teaching that uses art in a ...
... play , a novel , or an essay in the New Yorker . Other issues have asserted themselves . " What we find in the universities , " as Hartman says , " is a rising demand for a didactic approach , for advocacy teaching that uses art in a ...
Página 23
... play . Much later I heard of a more profound play of words in the sixth - century version of the Pange lingua by Venantius Fortunatus , which has one stanza celebrating the Cross of the Crucifixion : Crux fidelis , inter omnes arbor una ...
... play . Much later I heard of a more profound play of words in the sixth - century version of the Pange lingua by Venantius Fortunatus , which has one stanza celebrating the Cross of the Crucifixion : Crux fidelis , inter omnes arbor una ...
Página 136
... play of abstraction the play of ex- pression . The artist reflecting on his means is there- fore indebted to the sophist and organically related to him . Both pursue , in different directions , the same genre of activity . Having ceased ...
... play of abstraction the play of ex- pression . The artist reflecting on his means is there- fore indebted to the sophist and organically related to him . Both pursue , in different directions , the same genre of activity . Having ceased ...
Contenido
CHAPTER | 2 |
The Latin Factor | 21 |
Song Without Words | 44 |
Derechos de autor | |
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Aeschylus alliteration appear asked become better Blackmur blue body Burke chapter claim comes common Complete context criticism culture death Donne Eliot eloquence English Essays expression eyes face feeling figures force further given gives goes hand hold human ideas imagination instance John keep kind King knock language later Latin least leave light Literature live London look Macbeth matter meaning merely mind moving nature never night object Oxford passage passion phrase play pleasure poem poet poetry possible present question quoted reader reading reason refers relation response rhetoric rhythm seems sense sentence silence song sounds speak speech story style talk tells things thought tion trans translation tree turns understand University Press whole words writing York