On EloquenceYale University Press, 2008 - 199 páginas "On Eloquence" questions the common assumption that eloquence is merely a subset of rhetoric, a means toward a rhetorical end. Denis Donoghue, an eminent and prolific critic of the English language, holds that this assumption is erroneous. While rhetoric is the use of language to persuade people to do one thing rather than another, Donoghue maintains that eloquence is gratuitous, ideally autonomous, in speech and writing an upsurge of creative vitality for its own sake. He offers many instances of eloquence in words, and suggests the forms our appreciation of them should take.Donoghue argues persuasively that eloquence matters, that we should indeed care about it. Because we should care about any instances of freedom, independence, creative force, "sprezzatura," he says, especially when we liveperhaps this is increasingly the casein a culture of the same, featuring official attitudes, stereotypes of the officially enforced values, sedated language, a politics of pacification. A noteworthy addition to Donoghue s long-term project to reclaim a disinterested appreciation of literature "as literature," this volume is a wise and pleasurable meditation on eloquence, its unique ability to move or give pleasure, and its intrinsic value." |
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Página 94
... face signals that this head is heavy with unspoken language , so the ( classic ) text inscribes within its system of signs the signature of its plenitude : like the face , the text becomes expressive ( let us say that it signifies its ...
... face signals that this head is heavy with unspoken language , so the ( classic ) text inscribes within its system of signs the signature of its plenitude : like the face , the text becomes expressive ( let us say that it signifies its ...
Página 95
... face , the face of a person in thought . Gadamer ascribes it to the language spoken or written , a resource that can't always be brought to the state of performance . Barthes's sense of face consorts with self - containment , absorption ...
... face , the face of a person in thought . Gadamer ascribes it to the language spoken or written , a resource that can't always be brought to the state of performance . Barthes's sense of face consorts with self - containment , absorption ...
Página 134
... face of nature is fleetingly revealed in the light of redemption , in allegory the observer is confronted with the facies hippocratica of history as a petrified , primordial landscape . Everything about history that , from the very ...
... face of nature is fleetingly revealed in the light of redemption , in allegory the observer is confronted with the facies hippocratica of history as a petrified , primordial landscape . Everything about history that , from the very ...
Contenido
CHAPTER | 2 |
The Latin Factor | 21 |
Song Without Words | 44 |
Derechos de autor | |
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Aeschylus alliteration appear asked become better Blackmur blue body Burke chapter claim comes common Complete context criticism culture death Donne Eliot eloquence English Essays expression eyes face feeling figures force further given gives goes hand hold human ideas imagination instance John keep kind King knock language later Latin least leave light Literature live London look Macbeth matter meaning merely mind moving nature never night object Oxford passage passion phrase play pleasure poem poet poetry possible present question quoted reader reading reason refers relation response rhetoric rhythm seems sense sentence silence song sounds speak speech story style talk tells things thought tion trans translation tree turns understand University Press whole words writing York