Cambridge University Press, 1996 M04 18 - 297 páginas
This new edition focuses on Shakespeare's Sonnets as poetry - sometimes strikingly individual poems, but often subtly interlinked in thematic, imagistic, and other groupings. The volume also addresses the many questions that cast a veil of mystery over the genesis of the poems. To what extent are The Sonnets autobiographical? What is the nature of the 'love', strongly expressed, between the 'poet', the 'youth' and the 'Dark Lady'? Can they, apart from the poet, be identified? Who is the 'rival poet'? When were The Sonnets written and in what order? What were the circumstances surrounding their publication? The volume is introduced by the sensitive critical insights of the poet and scholar, Anthony Hecht. The text, following the 1609 quarto, has been edited by Gwynne Blakemore Evans and is followed by his extensive annotation, informed by long acquaintance with Shakespeare's art. The volume as a whole will appeal to a new generation of students and poetry-lovers.
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A. B. Grosart Abbott appear beauty beauty's beloved Benson Booth suggests canker Capell Capell's collation compare line compositor conj couplet critics Dark Lady dear death dost doth edited editors Elizabethan emendation eyes fair false faults favour Gildon grace hate hath headnote heart Hood implied Ingram and Redpath Kerrigan kind line 14 line 9 Lintott live looks loue love i.e. love's lover Lover's Complaint Malone meaning metaphor metonymy mind misreading mistress moral Muse nature night Ovid pare Passionate Pilgrim perhaps phrase play poem poet poet's possible praise Q Sonnet Q variant quatrain Rape of Lucrece reading reference rhyme Rollins rose seems sense sexual Shakespeare Shakespeare's Sonnets sight Sonnet 18 Sonnet 27 Sonnet 62 Sonnet 73 Sonnet 94 soul spirit sweet thee theme thine things thou art thought Tilley Time's true truth Tucker variant form Venus and Adonis verse words worth youth
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