An Essay of Dramatic PoesyClarendon Press, 1903 - 179 páginas |
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Página i
John Dryden Thomas Arnold, William Thomas Arnold. DRYDEN AN ESSAY OF DRAMATIC POESY ARNOLD a HENRY FROWDE , M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD.
John Dryden Thomas Arnold, William Thomas Arnold. DRYDEN AN ESSAY OF DRAMATIC POESY ARNOLD a HENRY FROWDE , M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD.
Página ii
John Dryden Thomas Arnold, William Thomas Arnold. HENRY FROWDE , M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON , EDInburgh , new YORK TORONTO AND MELBOURNE DRYDEN AN ESSAY OF DRAMATIC POESY EDITED WITH NOTES BY.
John Dryden Thomas Arnold, William Thomas Arnold. HENRY FROWDE , M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON , EDInburgh , new YORK TORONTO AND MELBOURNE DRYDEN AN ESSAY OF DRAMATIC POESY EDITED WITH NOTES BY.
Página iii
John Dryden Thomas Arnold, William Thomas Arnold. DRYDEN AN ESSAY OF DRAMATIC POESY EDITED WITH NOTES BY THOMAS ARNOLD , M.A. LATE OF UNIV . COLL . , OXFORD AND FELLOW OF THE ROYAL UNIVERSITY OF IRELAND THIRD EDITION , REVISED BY WILLIAM ...
John Dryden Thomas Arnold, William Thomas Arnold. DRYDEN AN ESSAY OF DRAMATIC POESY EDITED WITH NOTES BY THOMAS ARNOLD , M.A. LATE OF UNIV . COLL . , OXFORD AND FELLOW OF THE ROYAL UNIVERSITY OF IRELAND THIRD EDITION , REVISED BY WILLIAM ...
Página v
... drama , then in the powerful hands of Corneille and Molière . In that drama , when prose was not employed , the use of rhyme was an essential feature . Dryden and others were not slow to consult the taste prevailing at Court . His first ...
... drama , then in the powerful hands of Corneille and Molière . In that drama , when prose was not employed , the use of rhyme was an essential feature . Dryden and others were not slow to consult the taste prevailing at Court . His first ...
Página vi
... Dramatic Poesy was the result . In the course of time Dryden modified more or less the judgment in favour of rhyme which he had given in the Essay . In the prologue to the tragedy of Aurung- zebe , or the ... drama is superior vi PREFACE .
... Dramatic Poesy was the result . In the course of time Dryden modified more or less the judgment in favour of rhyme which he had given in the Essay . In the prologue to the tragedy of Aurung- zebe , or the ... drama is superior vi PREFACE .
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Términos y frases comunes
action actor admiration ancients appear argument Aristotle audience Beaumont and Fletcher beauty Ben Johnson betwixt blank verse Catachresis Catiline characters comedy compass Corneille Corneille's couplet Crites defence delight discourse Dramatic Poesy Dramatique dramatists Dryden Duke of Lerma English epic errour Espagnols ESSAY OF DRAMATIC Eugenius favour French gives Greek honour Horace humour imagine Indian Emperor J. A. Symonds John Dryden Johnson judge kind King language Latin Lisideius lived Lord Malone modern Molière Neander never observed opinion Ovid passions persons plot Poems poet Poetics poetry Preface Progress of Satire prose prove qu'il reason represented rhyme rule says scene Second Edition Sejanus Seneca serious plays Shakespeare shew Silent Woman Sir Robert Howard Sonnets Spanish speak stage Terence theatre thing thought tragedy translated Trois Unités truth unity of place Virgil words writ writing δὲ
Pasajes populares
Página 67 - All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation : he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards, and found her there.
Página 67 - ... you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned ; he needed not the spectacles of books to read nature ; he looked inwards, and found her there. I cannot say he is every where alike ; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid ; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great, when...
Página 159 - To make a child now swaddled, to proceed Man, and then shoot up, in one beard and weed, Past threescore years; or, with three rusty swords, And help of some few foot and half-foot words, Fight over York and Lancaster's long jars, And in the tyring-house bring wounds to scars.
Página 70 - Catiline. But he has done his robberies so openly, that one may see he fears not to be taxed by any law. He invades authors like a monarch; and what would be theft in other poets is only victory in him.
Página 70 - But he has done his robberies so openly, that one may see he fears not to be taxed by any law. He invades authors like a monarch ; and what would be theft in other poets, is only victory in him. With the spoils of these writers he so represents old Rome to us, in its rites, ceremonies and customs, that if one of their poets had written either of his tragedies, we had seen less of it than in him.
Página 45 - I have commended in the French ; and that is Rollo ", or rather, under the name of Rollo. the Story of Bassianus and Geta in Herodian : there indeed the plot is neither large nor intricate, but just enough to fill the minds of the audience, not to cloy them.
Página 67 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too.
Página 133 - And Dryden, in immortal strain, Had raised the Table Round again, But that a ribald King and Court Bade him toil on, to make them sport ; Demanded for their niggard pay, Fit for their souls, a looser lay, Licentious satire, song, and play ; The world defrauded of the high design, Profan'd the God-given strength, and marr'd the lofty line.
Página 17 - A just and lively image of human nature, representing its passions and humours, and the changes of fortune to which it is subject, for the delight and instruction of mankind.
Página 177 - I am satisfied if it cause delight. For delight is the chief, if not the only, end of poesy. Instruction can be admitted but in the second place, for poesy only instructs as it delights.