White Magic and English Renaissance DramaFairleigh Dickinson University Press, 1973 - 148 páginas |
Dentro del libro
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Página 30
... soul and gain a direct knowledge of God . Subsequently , his magic not only focused upon contemplation and inner experience but also sought to utilize occult energies within natural objects . At a time when there were attempts at ...
... soul and gain a direct knowledge of God . Subsequently , his magic not only focused upon contemplation and inner experience but also sought to utilize occult energies within natural objects . At a time when there were attempts at ...
Página 38
... soul . Mephistophilis rejoices at claiming Faustus's soul for Hell , and the morality figure of the Good Angel reminds the unrepentant sinner that salvation is impossible without faith and grace . Many in the audience must have reacted ...
... soul . Mephistophilis rejoices at claiming Faustus's soul for Hell , and the morality figure of the Good Angel reminds the unrepentant sinner that salvation is impossible without faith and grace . Many in the audience must have reacted ...
Página 76
... 147–59 . Philips equates Caliban with the vegetative soul , Ariel the sensitive soul , and Prospero the rational soul , which is sustained by the vegetative and served by the sensitive souls . 76 White Magic and English Renaissance Drama.
... 147–59 . Philips equates Caliban with the vegetative soul , Ariel the sensitive soul , and Prospero the rational soul , which is sustained by the vegetative and served by the sensitive souls . 76 White Magic and English Renaissance Drama.
Contenido
White Magic and the Church | 23 |
The Legendary Magician | 35 |
Healers in Shakespeare | 50 |
Derechos de autor | |
Otras 7 secciones no mostradas
Términos y frases comunes
Alchemist alchemy appears Ariel astrology audience Bacon become believed body bring Caliban calls century chaos character charlatan charms Christian Church Circe claims concept contained court create cure dance death demons Devil disease divine early earth effect elements Elizabethan enchanter English Face familiar father Faustus figure finally force four Friar gain gods gold hand healer healing heaven herbs human influence Italy James John Jonson kind King knowledge later lives London masque master means medicine Mercury metals moreover nature numbers once pagan performance philosophers plants play plot practice priest promises properties Prospero Queen received Renaissance reveals role satire secrets Shakespeare skill sleep soul sources spell spirits stage stone story Subtle suggestive symbolic takes Tempest things tradition turn universe views virtue white magic white magician witch York