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and distinction. She was led into society, and they tried by all kinds of occupation and amusement to dissipate her grief, and wean her from the tragical story of her loves. But it was all in vain. There are some strokes of calamity that scathe and scorch the soul-that penetrate to the vital seat of happiness-and blast it, never again to put forth bud or blossom. She never objected to frequent the haunts of pleasure, but she was as much alone there as in the depths of solitude. She walked about in a sad reverie, apparently unconscious of the world around her. She carried with her an inward woe that mocked at all the blandishments of friendship, and heeded not the song of the charmer, charm he never so wisely."

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The person who told me her story had seen her at a masquerade. There can be no exhibition of far-gone wretchedness more striking and painful than to meet it in such a scene. To find it wandering like a spectre, lonely and joyless, where all around is gay-to see it dressed out in the trappings of mirth, and looking so wan

and wo-begone, as if it had tried in vain to cheat the poor heart into a momentary forgetfulness of sorrow. After strolling through the splendid rooms and giddy crowd with an air of utter abstraction, she sat herself down on the steps of an orchestra, and looking about for some time with a vacant air, that shewed her insensibility to the garish scene, she began with the capriciousness of a sickly heart, to warble a little plaintive air. She had an exquisite voice; but on this occasion it was so simple, so touching, it breathed forth such a soul of wretchedness, that she drew a crowd mute and silent around her, and melted every one into tears.

The story of one so true and tender, could not but excite great interest in a country remarkable for enthusiasm. It completely won the heart of a brave officer, who paid his addresses to her, and thought that one so true to the dead, could not but prove affectionate to the living. She declined his attentions, for her thoughts were irrevocably engrossed by the memory of her former lover. He, however per

sisted in his suit. He solicited not her tender

He was assisted by her

ness, but her esteem. conviction of his worth, and her sense of her own destitute and dependent situation, for she was existing on the kindness of friends. In a word, he at length succeeded in gaining her hand, though with the solemn assurance, that her heart was unalterably another's.

He took her with him to Sicily, hoping that a change of scene might wear out the remembrance of early woes. She was an amiable and exemplary wife, and made an effort to be a happy one; but nothing could cure the silent and devouring melancholy that had entered into her very soul. She wasted away in a slow, but hopeless decline, and at length sunk into the grave, the victim of a broken heart.

It was on her that Moore, the distinguished Irish poet, composed the following lines:

She is far from the land where her young hero sleeps,

And lovers around her are sighing:

But coldly she turns from their gaze, and weeps,
For her heart in his grave is lying.

She sings the wild songs of her dear native plains,
Every note which he lov'd awaking—
Ah! little they think, who delight in her strains,
How the heart of the minstrel is breaking!

He had lived for his love-for his country he died,
They were all that to life had entwined him—
Nor soon shall the tears of his country be dried,
Nor long will his love stay behind him!

Oh! make her a grave where the sun-beams rest,
When they promise a glorious morrow;

They'll shine o'er her sleep, like a smile from the west,
From her own lov'd island of sorrow!

THE

ART OF BOOK MAKING.

VOL. I.

L

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