Selected Letters of William EmpsonOUP Oxford, 2006 M03 9 - 729 páginas This edited collection of letters by William Empson (1906-1984), one of the foremost writers and literary critics of the twentieth century, ranges across the entirety of his career. Parts of the correspondence record the development of ideas that were to come to fruition in seminal texts including Seven Types of Ambiguity, The Structure of Complex Words, and Milton's God. The topics of other letters range from Shakespeare's Dark Lady to Marvell's marriageand Byron's bisexuality. Empson relished correspondence that was combative, if not downright aggressive. As a result, parts of this edition take the form of a serial disputation with other critics of the period, including Frank Kermode, Helen Gardner, Philip Hobsbaum, and I. A. Richards. Other notable correspondents include A.Alvarez, Bonamy Dobrée, Leslie Fiedler, Graham Hough, C. K. Ogden, George Orwell, Kathleen Raine, John Crowe Ransom, Christopher Ricks, Laura Riding, A. L. Rowse, Stephen Spender, E. M. W. Tillyard, Rosemond Tuve, John Wain, and G. Wilson Knight.All readers of literary history and criticism will stand to benefit from this edition. Empson is universally credited as the man who 'invented' modern literary criticism, so that all of his writings make a signal addition to the canon of his works. This selection provides a context for the evaluation of Empson's total literary output; and in many letters Empson seeks to defend his ideas against both published and personal attacks. This volume not only fills in all the missing links, it adds upto a completely new volume of critical writings by Empson. |
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Página 393
... wrong in date.3 He says ' we cannot agree ' that the song - bird was ' not born for death ' , and goes on to assume that the poem is all about wanting an act of sex with Fanny so supreme that it would kill them both . But not a word in ...
... wrong in date.3 He says ' we cannot agree ' that the song - bird was ' not born for death ' , and goes on to assume that the poem is all about wanting an act of sex with Fanny so supreme that it would kill them both . But not a word in ...
Página 475
... wrong judgement which an editor should ignore . 4 The steersman's face - lit at night so that he can see the compass ; the story is placed at the start of the modern world , with the introduction of the mariner's compass . Coleridge ...
... wrong judgement which an editor should ignore . 4 The steersman's face - lit at night so that he can see the compass ; the story is placed at the start of the modern world , with the introduction of the mariner's compass . Coleridge ...
Página 483
... wrong . I am keen to write down what I meant by saying that ' Lear has got on the wrong side of the next world as well as of this one ' . It seemed to me that I was summing up the views of other critics which I had already fully ...
... wrong . I am keen to write down what I meant by saying that ' Lear has got on the wrong side of the next world as well as of this one ' . It seemed to me that I was summing up the views of other critics which I had already fully ...
Contenido
Abbreviations | x |
Note on the Text | l |
TEXT OF LETTERS 1 | 76 |
Derechos de autor | |
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Términos y frases comunes
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