Selected Letters of William EmpsonOUP Oxford, 2006 M03 9 - 729 páginas This edited collection of letters by William Empson (1906-1984), one of the foremost writers and literary critics of the twentieth century, ranges across the entirety of his career. Parts of the correspondence record the development of ideas that were to come to fruition in seminal texts including Seven Types of Ambiguity, The Structure of Complex Words, and Milton's God. The topics of other letters range from Shakespeare's Dark Lady to Marvell's marriageand Byron's bisexuality. Empson relished correspondence that was combative, if not downright aggressive. As a result, parts of this edition take the form of a serial disputation with other critics of the period, including Frank Kermode, Helen Gardner, Philip Hobsbaum, and I. A. Richards. Other notable correspondents include A.Alvarez, Bonamy Dobrée, Leslie Fiedler, Graham Hough, C. K. Ogden, George Orwell, Kathleen Raine, John Crowe Ransom, Christopher Ricks, Laura Riding, A. L. Rowse, Stephen Spender, E. M. W. Tillyard, Rosemond Tuve, John Wain, and G. Wilson Knight.All readers of literary history and criticism will stand to benefit from this edition. Empson is universally credited as the man who 'invented' modern literary criticism, so that all of his writings make a signal addition to the canon of his works. This selection provides a context for the evaluation of Empson's total literary output; and in many letters Empson seeks to defend his ideas against both published and personal attacks. This volume not only fills in all the missing links, it adds upto a completely new volume of critical writings by Empson. |
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Página 344
... expect you had better cut more than you propose . p . xv you are correct . p . 3 I. A. Richards had defined ' tone ' as the relation of the author to his readers , and I expect I meant a little of that . The poet is not only ' seen ...
... expect you had better cut more than you propose . p . xv you are correct . p . 3 I. A. Richards had defined ' tone ' as the relation of the author to his readers , and I expect I meant a little of that . The poet is not only ' seen ...
Página 357
... expect that the training was going to make him pure etc. I come from the heavy wheat country of the Humber , where the earth when ploughed really does shine , almost like petrol spilt on the road ; so I take ' sheer plod makes plough ...
... expect that the training was going to make him pure etc. I come from the heavy wheat country of the Humber , where the earth when ploughed really does shine , almost like petrol spilt on the road ; so I take ' sheer plod makes plough ...
Página 560
... expect Nature to teach us , not entailing the rejection of a more ambitious addition ; this I should expect was usual among hermeticists . And so he would not feel any need for a deep ambiguity about the matter , as in suggesting that a ...
... expect Nature to teach us , not entailing the rejection of a more ambitious addition ; this I should expect was usual among hermeticists . And so he would not feel any need for a deep ambiguity about the matter , as in suggesting that a ...
Contenido
Abbreviations | x |
Note on the Text | l |
TEXT OF LETTERS 1 | 76 |
Derechos de autor | |
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Términos y frases comunes
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