A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 39
... verse which has been permanent . The earlier blank verse of a play such as Gorboduc had little life . It was correct , but the meaning ended mechanically at the end of each line , so that to the ear it sometimes had the effect of rhyming ...
... verse which has been permanent . The earlier blank verse of a play such as Gorboduc had little life . It was correct , but the meaning ended mechanically at the end of each line , so that to the ear it sometimes had the effect of rhyming ...
Página 40
... verse to another , not in the jingling sound of like endings ' . Marlowe's innovation helped the young Shakespeare to discover himself in blank verse , though the later Shakespeare breaks up the verse much more and he gained a far ...
... verse to another , not in the jingling sound of like endings ' . Marlowe's innovation helped the young Shakespeare to discover himself in blank verse , though the later Shakespeare breaks up the verse much more and he gained a far ...
Página 188
... verse . An early experimenter in the ' thirties in a poetic drama definitely designed for the theatre , and ultimately the most successful , was T. S. Eliot ( 1888-1965 ) . In his early verse , and chiefly in The Waste Land ( 1922 ) ...
... verse . An early experimenter in the ' thirties in a poetic drama definitely designed for the theatre , and ultimately the most successful , was T. S. Eliot ( 1888-1965 ) . In his early verse , and chiefly in The Waste Land ( 1922 ) ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote