A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
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Página 44
... romantic and transferred to Scotland where it is given a pseudo - historical setting . To this are added fairy interludes of Oberon , King of the Fairies , and of Bohan , a cynical , disillusioned figure , well enough contrived for ...
... romantic and transferred to Scotland where it is given a pseudo - historical setting . To this are added fairy interludes of Oberon , King of the Fairies , and of Bohan , a cynical , disillusioned figure , well enough contrived for ...
Página 54
Benjamin Ifor Evans. tradition . The action is improbable and the romantic characters are unreal if brought out of the world of fine sentiment and witty language to which they belong . In Benedick and Beatrice , who are the critics of ...
Benjamin Ifor Evans. tradition . The action is improbable and the romantic characters are unreal if brought out of the world of fine sentiment and witty language to which they belong . In Benedick and Beatrice , who are the critics of ...
Página 144
... romantic tradition . The failure of the early romantics did not deter poets later in the century from attempting success in drama . Robert Browning seems at first sight to have the right talents ; his dramatic monologues have , at times ...
... romantic tradition . The failure of the early romantics did not deter poets later in the century from attempting success in drama . Robert Browning seems at first sight to have the right talents ; his dramatic monologues have , at times ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote