A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
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Página 27
... plot turns on the love - making of Tyb and the priest , and the timid uneasiness of the husband . What- ever its limitations , the play has moved from mere discussion to dramatic action . The Merry Play is of a pardoner and a friar who ...
... plot turns on the love - making of Tyb and the priest , and the timid uneasiness of the husband . What- ever its limitations , the play has moved from mere discussion to dramatic action . The Merry Play is of a pardoner and a friar who ...
Página 51
... plots , first the wooing of the shrew Katharine by Petruchio , and secondly the dull and dimly romantic plot of Bianca and her wooers . The Induction must be remembered , as it explains the values of the play , for the comedy is ...
... plots , first the wooing of the shrew Katharine by Petruchio , and secondly the dull and dimly romantic plot of Bianca and her wooers . The Induction must be remembered , as it explains the values of the play , for the comedy is ...
Página 52
... plot . Theseus and Hippolyta are to marry and the ceremonies give a basis to the play , which may have been designed for a wedding . Amid the fantasy and romantic excesses these two characters pre- serve an element of normality . For ...
... plot . Theseus and Hippolyta are to marry and the ceremonies give a basis to the play , which may have been designed for a wedding . Amid the fantasy and romantic excesses these two characters pre- serve an element of normality . For ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
Otras 13 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote