A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 38
... motives used in Hamlet , including a ghost and a play within a play . The central motive is the revenge of Hieroni- mo , marshal of Spain , for the murder of his son Horatio . The prob- lem for the dramatist , as in Hamlet , is how the ...
... motives used in Hamlet , including a ghost and a play within a play . The central motive is the revenge of Hieroni- mo , marshal of Spain , for the murder of his son Horatio . The prob- lem for the dramatist , as in Hamlet , is how the ...
Página 63
... motives , but Coriolanus endures a pride which is a specialized emotion . The spectator can identify himself with Hamlet and Antony , but he has to watch Coriolanus ; even then his motives are discovered mainly through the conduct and ...
... motives , but Coriolanus endures a pride which is a specialized emotion . The spectator can identify himself with Hamlet and Antony , but he has to watch Coriolanus ; even then his motives are discovered mainly through the conduct and ...
Página 189
... motives of his non - dramatic verse . The play has a chorus of the poor women of Canterbury , who express in moving lines the helplessness of the individual if left to his own resources amid the strength of temporal powers . It gave ...
... motives of his non - dramatic verse . The play has a chorus of the poor women of Canterbury , who express in moving lines the helplessness of the individual if left to his own resources amid the strength of temporal powers . It gave ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
Otras 13 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote