A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 62
... lines such as those in which Gloucester explains to Regan why he has sent the King to Dover : I would not see thy cruel nails Pluck out his poor old eyes ; nor thy fierce sister In his anointed flesh stick boarish fangs . Antony and ...
... lines such as those in which Gloucester explains to Regan why he has sent the King to Dover : I would not see thy cruel nails Pluck out his poor old eyes ; nor thy fierce sister In his anointed flesh stick boarish fangs . Antony and ...
Página 92
... line upon line , making up one after the other , adding image to image so deliberately that we see where they join . Shakespeare mingles everything : he runs line into line , embraces sentences and metaphors ; before one idea has burst ...
... line upon line , making up one after the other , adding image to image so deliberately that we see where they join . Shakespeare mingles everything : he runs line into line , embraces sentences and metaphors ; before one idea has burst ...
Página 125
... lines , ' Tis war again , and I am glad ' tis so ; Success shall now by force and courage go . Treaties are but the combat of the brain , Where still the stronger lose , the weaker gain ... The minds of heroes their own measures are ...
... lines , ' Tis war again , and I am glad ' tis so ; Success shall now by force and courage go . Treaties are but the combat of the brain , Where still the stronger lose , the weaker gain ... The minds of heroes their own measures are ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote