A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 70
... followed the lead of Plutarch in North's translation . Jonson turning to a mass of classical sources became entangled in intricate historical issues unfamiliar to Globe audiences ' . Sejanus it must be confessed belongs to the dead ...
... followed the lead of Plutarch in North's translation . Jonson turning to a mass of classical sources became entangled in intricate historical issues unfamiliar to Globe audiences ' . Sejanus it must be confessed belongs to the dead ...
Página 127
... followed by Nicholas Rowe . Of these the most distinctive was Thomas Otway ( 1652-85 ) . He had begun with rhymed tragedies , following without any distinguishing excellence the fashion of the age in Alcibiades ( 1674 ) and Don Carlos ...
... followed by Nicholas Rowe . Of these the most distinctive was Thomas Otway ( 1652-85 ) . He had begun with rhymed tragedies , following without any distinguishing excellence the fashion of the age in Alcibiades ( 1674 ) and Don Carlos ...
Página 186
... followed so quickly afterwards in 1930 , that he turned to the writing of plays . Some thought that he had come only accidentally into the theatre , but he soon showed that he was there to stay . Priestley was born in Bradford , and he ...
... followed so quickly afterwards in 1930 , that he turned to the writing of plays . Some thought that he had come only accidentally into the theatre , but he soon showed that he was there to stay . Priestley was born in Bradford , and he ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
Otras 13 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote