A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 83
Página 29
... drama made a sudden and spectacular step forward some- where between 1530 and 1580. For 1530 is the probable date of ... drama , particularly the tragedies of Euripides . In his own tragedies he retained the chorus of Greek drama ...
... drama made a sudden and spectacular step forward some- where between 1530 and 1580. For 1530 is the probable date of ... drama , particularly the tragedies of Euripides . In his own tragedies he retained the chorus of Greek drama ...
Página 179
... dramatic situations . Unlike Synge , and , later , unlike O'Casey , he and Lady Gregory had a theory of what drama should be , and with Yeats this theory be- came more important to him in his later years . He and Lady Gregory had ...
... dramatic situations . Unlike Synge , and , later , unlike O'Casey , he and Lady Gregory had a theory of what drama should be , and with Yeats this theory be- came more important to him in his later years . He and Lady Gregory had ...
Página 188
Benjamin Ifor Evans. Contemporary Drama ONE OUTSTANDING feature of the drama of the ' thirties was the development of a new verse drama which had a success in the theatre . As has been noted , many poets wrote plays , but few of them ...
Benjamin Ifor Evans. Contemporary Drama ONE OUTSTANDING feature of the drama of the ' thirties was the development of a new verse drama which had a success in the theatre . As has been noted , many poets wrote plays , but few of them ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote