A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 148
... considerable dramatist of a regular type had he not discovered a new medium for his talents . In 1875 , he wrote Trial By Jury , and from then onwards he worked in collaboration with Arthur Sullivan on the ' Savoy ' comic operas . The ...
... considerable dramatist of a regular type had he not discovered a new medium for his talents . In 1875 , he wrote Trial By Jury , and from then onwards he worked in collaboration with Arthur Sullivan on the ' Savoy ' comic operas . The ...
Página 186
... considerable and the personality behind the plays , as has been suggested , is far more complex than either his public image or the comments of much criticism would suggest . That the Yorkshireman is there one need not deny : it appears ...
... considerable and the personality behind the plays , as has been suggested , is far more complex than either his public image or the comments of much criticism would suggest . That the Yorkshireman is there one need not deny : it appears ...
Página 192
... considerable influence on their generation . One is first impressed by the liveliness of the verse . Auden had been interested in popular art and in the music- hall , and his perceptive mind had found many new and interesting rhythms ...
... considerable influence on their generation . One is first impressed by the liveliness of the verse . Auden had been interested in popular art and in the music- hall , and his perceptive mind had found many new and interesting rhythms ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote