A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 36
Página 27
... comic study of cowardice and follows in some simple ways the mood which Ibsen was later to exploit so magnifi- cently in Peer Gynt . If one had to judge the interlude solely by these plays one would be unable to place its dramatic ...
... comic study of cowardice and follows in some simple ways the mood which Ibsen was later to exploit so magnifi- cently in Peer Gynt . If one had to judge the interlude solely by these plays one would be unable to place its dramatic ...
Página 56
... comic in the most profound sense of the term . The play is a solemn reflection on civil commotion , of whose dangers Shakespeare was acutely aware , and the comic sub - plot with its satire on the methods of warfare is brought into ...
... comic in the most profound sense of the term . The play is a solemn reflection on civil commotion , of whose dangers Shakespeare was acutely aware , and the comic sub - plot with its satire on the methods of warfare is brought into ...
Página 140
... comic plot is mingled with the sentimental . The whole has elegance , and one is again reminded that while morals make men good , it is manners that make them interesting . Often one is reminded of Shakespeare's handling of comic ...
... comic plot is mingled with the sentimental . The whole has elegance , and one is again reminded that while morals make men good , it is manners that make them interesting . Often one is reminded of Shakespeare's handling of comic ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote