A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 54
... characters have a wit that is free and spontaneous : Don Pedro : I think this is your daughter . Leonato : Her mother hath many times told me so . Benedick : Were you in doubt , sir , that you asked her ? Leonato : Signior Benedick , nɔ ...
... characters have a wit that is free and spontaneous : Don Pedro : I think this is your daughter . Leonato : Her mother hath many times told me so . Benedick : Were you in doubt , sir , that you asked her ? Leonato : Signior Benedick , nɔ ...
Página 68
... characters are not so natural as in Everyman in His Humour . The play has no central theme except that Macilente , having exposed the weak- nesses of the characters , has in turn his own envy exposed . One of Jonson's most able critics ...
... characters are not so natural as in Everyman in His Humour . The play has no central theme except that Macilente , having exposed the weak- nesses of the characters , has in turn his own envy exposed . One of Jonson's most able critics ...
Página 88
... characters for a new crisis . Brachiano develops a jealousy of Vittoria , whom he taunts , and she in reply still shows a defiant anger and courage , though it contains elements of retrospec- tive sadness . Thus the tragedy moves to its ...
... characters for a new crisis . Brachiano develops a jealousy of Vittoria , whom he taunts , and she in reply still shows a defiant anger and courage , though it contains elements of retrospec- tive sadness . Thus the tragedy moves to its ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote