A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 96
... actor . Outstanding in this tragedy is Paris's plea for the art of the actor and of the theatre . One can imply that whatever scenes of horror he may dis- play the moralist is never far from Massinger's mind . The stage must portray the ...
... actor . Outstanding in this tragedy is Paris's plea for the art of the actor and of the theatre . One can imply that whatever scenes of horror he may dis- play the moralist is never far from Massinger's mind . The stage must portray the ...
Página 135
... actors and actresses . The tradition in the early years of the century favoured excessive gesture , turgid declamation , and the extravagant ex- ploitation of farce . This was modified by a few men of outstanding genius . With them the ...
... actors and actresses . The tradition in the early years of the century favoured excessive gesture , turgid declamation , and the extravagant ex- ploitation of farce . This was modified by a few men of outstanding genius . With them the ...
Página 169
... actors is , possibly , Sir Laurence Olivier . His early days were spent with the Birmingham Repertory Company , but in 1944 he began a period of co - direction of the Old Vic with Sir Ralph Richardson , another actor in the best ...
... actors is , possibly , Sir Laurence Olivier . His early days were spent with the Birmingham Repertory Company , but in 1944 he began a period of co - direction of the Old Vic with Sir Ralph Richardson , another actor in the best ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
Otras 13 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote