A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 35
... London impossible , to which the players replied by moving to the suburbs , so that London's first theatres were built outside the city walls . In this way the corporations were out - manœuvred , but the Puritans persisted in their ...
... London impossible , to which the players replied by moving to the suburbs , so that London's first theatres were built outside the city walls . In this way the corporations were out - manœuvred , but the Puritans persisted in their ...
Página 46
... London Theatrical Company . He was not , as some misguided people have thought , either Francis Bacon , or the Earl ... London and to the theatre . He was an actor , a playwright , and by 1594 a full member of the Lord Chamberlain's ...
... London Theatrical Company . He was not , as some misguided people have thought , either Francis Bacon , or the Earl ... London and to the theatre . He was an actor , a playwright , and by 1594 a full member of the Lord Chamberlain's ...
Página 162
... London with plays such as Shaw's Heartbreak House and St Joan . In addition , during the ' thirties , he established the Malvern Festival , mainly devoted to Shaw , but also successfully introducing to the London stage plays such as ...
... London with plays such as Shaw's Heartbreak House and St Joan . In addition , during the ' thirties , he established the Malvern Festival , mainly devoted to Shaw , but also successfully introducing to the London stage plays such as ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
Otras 13 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote