A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 57
Página 86
Benjamin Ifor Evans. John Webster Beaumont and - Fletcher Philip Massinger - Thomas Middleton - William Rowley John Ford - James Shirley IT IS difficult to mark precisely the division between the drama of Shakespeare and his ...
Benjamin Ifor Evans. John Webster Beaumont and - Fletcher Philip Massinger - Thomas Middleton - William Rowley John Ford - James Shirley IT IS difficult to mark precisely the division between the drama of Shakespeare and his ...
Página 211
... John , 102-3 Broken Heart , The , 102 , 103 Lover's Melancholy , The , 102 Love's Sacrifice , 102 ' Tis Pity She's a ... John , 172 , 173–5 , 176 , 196 Escape , 174 Forsyte Saga , The , 173 , 174 Justice , 172 , 174-5 Loyalties , 174 ...
... John , 102-3 Broken Heart , The , 102 , 103 Lover's Melancholy , The , 102 Love's Sacrifice , 102 ' Tis Pity She's a ... John , 172 , 173–5 , 176 , 196 Escape , 174 Forsyte Saga , The , 173 , 174 Justice , 172 , 174-5 Loyalties , 174 ...
Página 212
... John , 13 , 82 , 144 Otho the Great ( with Armitage Brown ) , 144 Kelly , Hugh , 136 False Delicacy , 136 Word to the Wise , A , 136 Kemble , Roger , 141 Kemble , John Philip , 141 , 143 Kemp , William , 11 Keynes , Lord , 164 King's ...
... John , 13 , 82 , 144 Otho the Great ( with Armitage Brown ) , 144 Kelly , Hugh , 136 False Delicacy , 136 Word to the Wise , A , 136 Kemble , Roger , 141 Kemble , John Philip , 141 , 143 Kemp , William , 11 Keynes , Lord , 164 King's ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
Otras 13 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote